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Jessica Langeâs haunting role in Mother Play, like so much of her work, is one only she could perform.
Photo: Mark Seliger Sitting in a chair next to a window in a break room at the Hayes Theater, where sheâs rehearsing [Mother Play](, the new work by [Paula Vogel]( ([How I Learned to Drive](), [Jessica Lange]( has a regal presence and a storybook narratorâs voice. Thereâs a subdued gravitas to the way she tells her own tale: She was a hippie intellectual from rural Minnesota who went off to Paris and New York to study mime and dance and figure herself out. Despite having no money, no industry connections, and almost no formal training as an actress, she landed the lead role of Dwan in the 1976 King Kong and played her as a daffy sexpot, made the cover of Time, and got pilloried by critics. She has since won two Oscars, three Emmys, five Golden Globes, and a Tony and published four books of her photographs. She has played Frances Farmer, Patsy Cline, Edith Bouvier Beale, Blanche DuBois, and Tamora, Queen of the Goths, as well as a gallery of scary oddballs in [Ryan Murphy](âs series [American Horror Story](. Her romantic life is defined by relationships with artists of comparable stature: Mikhail Baryshnikov and [Sam Shepard](. Sheâs still brutal on herself and her work, delivering the sorts of scathing assessments you would expect to hear from the many fearsome women she has embodied over the past half-century. She also keeps challenging herself, even though, at 74, she has nothing to prove. [read more]( Devour pop culture with us. [Subscribe now]( to save over 40% on unlimited access to Vulture and everything New York. The Latest TV Recaps ⢠ShÅgun: [Turning the Tide](
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Photo-Illustration: Vulture; Photos: Getty [Todayâs Cinematrix]( Can you name an Oscar-nominated Owen Wilson movie?
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