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[The Jennifer Lopez Wedding Industrial-Complex Canon](
The JLOWICC is a complex universe filled with dead mothers, worried best friends, sad dinners, and machetes.
Photo-Illustration: Vulture. Photos: Lionsgate; Columbia; Universal; New Line Few actors have pretended to get married as often as Jennifer Lopez. By my count, which has been duly confirmed by dozens of Us Weeklyâcore slideshows detailing her fictional wedding dresses, she has donned a white dress with the intention (but not always the follow-through) of betrothing herself to a man (always a man) no less than nine times: In Selena, The Wedding Planner, Enough, El Cantante, The Back-Up Plan, Marry Me, My Family, her new movie Shotgun Wedding, and [The Cell](, an extended metaphor for losing oneself in a marriage. More interesting, though, is that four of these movies center entirely on the planning and execution of a modern American wedding, grappling not with the concept of matrimony but explicitly with the wedding industrial complex and its profound psychological implications. [Read More]( Devour pop culture with us. [Subscribe now]( for unlimited access to Vulture and everything New York. The Latest TV Recaps ⢠Poker Face: [You Canât Un-murder Someone](
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4-Down, Five Letters: Movie starring a 13-year-old Kristen Stewart.
Photo-Illustration: Vulture; Photos: Everette Collection, Getty Images [Into It With Sam Sanders](
Photo-Illustration: Vulture HBO Max isnât just canceling shows. Itâs getting rid of them entirely. Claudia Forestieri experienced this firsthand with her series Gordita Chronicles. [On this episode of Into It](, host Sam Sanders chats with her about what it was like to become one of the dozens of creators whose shows no longer have a home â at least below cruising altitude â and Forestieri explains how her showâs cancellation factors into a wider industry trend of disappearing Latinx programming. [Read more from Vulture]( [logo]( [facebook logo]( [instagram logo]( [twitter logo](
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