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[Are We Getting The Substance All Wrong?](
The Demi Moore horror film is being hailed for its feminism, but its real strength is in its portrayal of addictive behavior.
Photo: MUBI Warning: Spoilers ahead for the plot of The Substance. Thereâs nothing developed or nuanced about the feminism of [The Substance](. Itâs a blunt-force object of a movie that begins with one of the leering men in suits who control show business doing the professional equivalent of taking the female lead behind the barn and shooting her when she hits the age of 50. But does there need to be? Weâre so accustomed now to approaching art-house horror as allegorical, with every outlandish menace a stand-in for some real-world wrong, that itâs downright disorienting how literal Coralie Fargeatâs bloody-gummed howl of a [body-horror movie]( is. The Substancedoesnât feel any need to relitigate the existence of the patriarchy. Instead, it treats the toxicity of its heightened version of Hollywood as settled law, using the place as a highly polished magnifying glass for the culture at largeâs bottomless appetite for youth and beauty. Sexism and ageism run rampant, but they provide the backdrop against which the filmâs narrative unfolds, rather than its focus. Whatâs really of interest to Fargeat is the relationship her protagonist, Elisabeth Sparkle (Demi Moore), an Oscar-winning actor turned fitness celeb, has with an industry thatâs openly intent on treating her as disposable, yet that keeps her hooked with the siren song of public affirmation. Fargeatâs film isnât, at its core, about inequality, but about what keeps us coming back to situations and, yes, substances that harm us. Itâs about addiction. [read more]( Devour pop culture with us. [Subscribe now]( to save over 40% on unlimited access to Vulture and everything New York. The Latest TV Recaps ⢠A Very Royal Scandal: [They Got Nixon This Way (Episode 2)](, [Consequences (Episode 3)](
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By Fran Hoepfner [Are We Getting The Substance All Wrong? The Demi Moore horror film is being hailed for its feminism, but its real strength is in its portrayal of addictive behavior.](
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