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Midweek Pick-me-up: Octavia Butler on How to Choose Our Leaders

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Wed, Oct 30, 2024 10:16 PM

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NOTE: This newsletter might be cut short by your email program. [View it in full](.  If a friend forwarded it to you and you'd like your very own newsletter, [subscribe here]( — it's free.  Need to modify your subscription? You can [change your email address]( or [unsubscribe](. [The Marginalian]( [Welcome] Hello {NAME}! This is the midweek edition of [The Marginalian]( by Maria Popova — one piece resurfaced from the seventeen-year archive as timeless uplift for heart, mind, and spirit. If you missed last week's archival resurrection — every loss reveals what we're made of: the fascinating science of why leaves change color and the ongoing mystery of chlorophyll — you can catch up [right here](. And if my labor of love enriches your life in any way, please consider supporting it with a [donation]( — it remains free and ad-free and alive thanks to reader patronage. If you already donate: I appreciate you more than you know. [FROM THE ARCHIVE | Octavia Butler on How (Not) to Choose Our Leaders]( In 1845, as the forgotten visionary Margaret Fuller was laying the foundation of modern feminism, advocating for black voting rights, and insisting that “while any one is base, none can be entirely free and noble,” she [contemplated what makes a great leader]( and called for “no thin Idealist, no coarse Realist,” for a person “of universal sympathies, but self-possessed,” one for whom “this world is no mere spectacle or fleeting shadow, but a great, solemn game, to be played with good heed, for its stakes are of eternal value.” But how does a nation, a society, a world concerned with more than the shadowy spectacles of the present identify and elect such leaders to shape the long future? A century and a half after Fuller, Octavia Butler (June 22, 1947–February 24, 2006) — another rare visionary — offered a glimmer of guidance in her sibylline two-part series set in the 2020s: [Parable of the Sower]( ([public library]( and [Parable of the Talents]( ([public library]( — a set of cautionary allegories, cautionary and future-protective in their keen prescription for course-correctives, about the struggle of a twenty-first-century society, Earthseed, to survive the ecological collapse, political corruption, corporate greed, and socioeconomic inequality it has inherited from the previous generations and their heedless choices. Octavia Butler by Katy Horan from [Literary Witches]( — an illustrated celebration of women writers who have enchanted and transformed our world. [Like Ursula K. Le Guin]( Butler straddled the timeless and the prophetic, saturating her fiction with astute philosophical and psychological insight into human nature and the superorganism of society. [Also like Le Guin]( Butler soared into poetry to frame and punctuate her prose. Each chapter begins with an original verse abstracting its thematic direction. She opens the eleventh chapter of the second Earthseed book with this verse: Choose your leaders with wisdom and forethought. To be led by a coward is to be controlled by all that the coward fears. To be led by a fool is to be led by the opportunists who control the fool. To be led by a thief is to offer up your most precious treasures to be stolen. To be led by a liar is to ask to be told lies. To be led by a tyrant is to sell yourself and those you love into slavery. And yet our discernment in choosing wisely, Butler intimates in a chilling short verse from the first book, can so often be muddled by our panic, by our paralyzing fright and pugilist flight: Drowning people Sometimes die Fighting their rescuers. Art by Margaret C. Cook from a [rare 1913 edition of Walt Whitman’s Leaves of Grass](. (Available [as a print]( With staggering prescience and perhaps with a subtle wink at James {NAME}’s assertion that [“a society must assume that it is stable, but the artist must know, and he must let us know, that there is nothing stable under heaven,”]( Butler lets us know that drowning people do not choose their leaders wisely: When apparent stability disintegrates, As it must — God is Change — People tend to give in To fear and depression, To need and greed. When no influence is strong enough To unify people They divide. They struggle, One against one, Group against group, For survival, position, power. They remember old hates and generate new ones, They create chaos and nurture it. They kill and kill and kill, Until they are exhausted and destroyed, Until they are conquered by outside forces, Or until one of them becomes A leader Most will follow, Or a tyrant Most fear. Again and again, Butler cautions against the blindness of choosing from a state of heightened emotion — the very blindness which political propaganda is aimed at blinkering over the eyes of the electorate with the constant stirring of our most reptilian fears: When vision fails Direction is lost. When direction is lost Purpose may be forgotten. When purpose is forgotten Emotion rules alone. When emotion rules alone, Destruction… destruction. Total solar eclipse by [Étienne Léopold Trouvelot](. (Available [as a print]( and [as a face mask]( In a short verse evocative of the closing lines of Jane Hirshfield’s [stunning poem “The Weighing,”]( Butler beckons us to become Earthseed — to become “the life that perceives itself changing” — and to effect change with our conscientious choices: There is no end To what a living world Will demand of you. A century and a half after Margaret Fuller’s admirer Walt Whitman [peered at the democratic vistas of a thriving society]( and exhorted humanity to “always inform yourself; always do the best you can; always vote,” Butler leaves us with this central question of personal responsibility: Are you Earthseed? Do you believe? Belief will not save you. Only actions Guided and shaped By belief and knowledge Will save you. Belief Initiates and guides action — Or it does nothing. The shortest verse in the book distills Butler’s largest message: Kindness eases Change. Complement with David Foster Wallace on [what a “real leader” means]( and Hannah Arendt on [loneliness as the common ground for terror and how tyrants use isolation as a weapon of oppression]( then revisit poet Naomi Shihab Nye’s magnificent ode to [choosing kindness over fear]( and Audre Lorde’s magnificent ode to [choosing creation over destruction](. [Forward to a friend]( Online]( on Facebook]( donating=loving Every month, I spend hundreds of hours and thousands of dollars keeping The Marginalian going. For seventeen years, it has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, not even an assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider aiding its sustenance with a one-time or loyal donation. Your support makes all the difference. monthly donation You can become a Sustaining Patron with a recurring monthly donation of your choosing, between a cup of tea and a Brooklyn lunch.  one-time donation Or you can become a Spontaneous Supporter with a one-time donation in any amount. [Start Now]( [Give Now]( Partial to Bitcoin? You can beam some bit-love my way: 197usDS6AsL9wDKxtGM6xaWjmR5ejgqem7 Need to cancel an existing donation? (It's okay — life changes course. I treasure your kindness and appreciate your support for as long as it lasted.) You can do so [on this page](. KINDRED READINGS: [Winnicott on the Psychology of Democracy, the Most Dangerous Type of Person, and the Unconscious Root of Resisting Women Leaders]( * * * [Octavia Butler on the Meaning of God]( * * * [Walt Whitman on Democracy and Optimism as a Mighty Form of Resistance]( * * * IF YOU MISSED IT [18 Life-Learnings from 18 Years of The Marginalian]( ALSO: A LIVE EVENT [NOVEMBER 1: HANDWRITING AND THE EVOLVING SELF]( To celebrate the centennial of [The Morgan Library & Museum]( — one of my favorite cultural institutions, stewarding some of the most influential works in the history of creative culture — I have chosen several items from the collection that I especially love to serve as springboards for larger [conversations]( about art and life with some of the most interesting and creative women I know. The second event in the series considers one of my most thrilling discoveries while researching [Figuring]( the three radically different handwriting styles Emily Dickinson developed throughout her life, which I was able to map to the three great emotional upheavals she lived through. Artist and podcaster Debbie Millman and I will explore this indelible link between handwriting and the self, between our private transformations and their reflection in our public work, always returning to the poetics of being alive. Tickets (pay-what-you-can) [here]( and livestream (free) [here](. There will be signed copies of Figuring, The Universe in Verse, and Debbie’s Why Design Matters. ALSO: OUT NOW A labor of love 7 years in the making. Peek inside [here](. [---]( You're receiving this email because you subscribed on TheMarginalian.org (formerly BrainPickings.org). This weekly newsletter comes out each Wednesday and offers a hand-picked piece worth revisiting from my 15-year archive. The Marginalian MAIL NOT DELIVERED 47 Bergen Street, 3rd FloorBrooklyn, NY 11201 [Add us to your address book]( [unsubscribe from this list](   [update subscription preferences](

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