Newsletter Subject

🌎 Discover the Impact: C̲h̲i̲n̲a̲'̲s̲ Hypersonic M̲i̲s̲s̲i̲l̲e̲ & Its Effect on Y̲o̲u̲r̲ I̲n̲v̲e̲s̲t̲m̲e̲n̲t̲s̲

From

theempiretrading.com

Email Address

daily@email.theempiretrading.com

Sent On

Thu, Mar 23, 2023 05:23 PM

Email Preheader Text

China has just launched a hypersonic nuclear missile, sending shockwaves around the world.... “

China has just launched a hypersonic nuclear missile, sending shockwaves around the world.... [TheEmpireTrading]( [TheEmpireTrading] Dear Investor, China has just launched a hypersonic nuclear missile, sending shockwaves around the world. [China hypersonic missile launch]( [Here's America's response to it.]( “The Buck Stops Here” Dylan Jovine, CEO & Founder, Behind the Markets Phoneme Article Talk Read Edit View history Tools From Wikipedia, the free encyclopedia This article is about the speech unit. For the JavaME library, see phoneME. For the collection of phenotypes, see phenome. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Phoneme" – news · newspapers · books · scholar · JSTOR (October 2020) (Learn how and when to remove this template message) This article contains phonetic transcriptions in the International Phonetic Alphabet (IPA). For an introductory guide on IPA symbols, see Help:IPA. For the distinction between [ ], / / and ⟨ ⟩, see IPA § Brackets and transcription delimiters. In phonology and linguistics, a phoneme (/ˈfoʊniːm/) is a unit of sound that can distinguish one word from another in a particular language. For example, in most dialects of English, with the notable exception of the West Midlands and the north-west of England,[1] the sound patterns /sɪn/ (sin) and /sɪŋ/ (sing) are two separate words that are distinguished by the substitution of one phoneme, /n/, for another phoneme, /ŋ/. Two words like this that differ in meaning through the contrast of a single phoneme form a minimal pair. If, in another language, any two sequences differing only by pronunciation of the final sounds [n] or [ŋ] are perceived as being the same in meaning, then these two sounds are interpreted as phonetic variants of a single phoneme in that language. Phonemes that are established by the use of minimal pairs, such as tap vs tab or pat vs bat, are written between slashes: /p/, /b/. To show pronunciation, linguists use square brackets: [pÊ°] (indicating an aspirated p in pat). There are differing views as to exactly what phonemes are and how a given language should be analyzed in phonemic (or phonematic) terms. However, a phoneme is generally regarded as an abstraction of a set (or equivalence class) of speech sounds (phones) that are perceived as equivalent to each other in a given language. For example, the English k sounds in the words kill and skill are not identical (as described below), but they are distributional variants of a single phoneme /k/. Speech sounds that differ but do not create a meaningful change in the word are known as allophones of the same phoneme. Allophonic variation may be conditioned, in which case a certain phoneme is realized as a certain allophone in particular phonological environments, or it may otherwise be free, and may vary by speaker or by dialect. Therefore, phonemes are often considered to constitute an abstract underlying representation for segments of words, while speech sounds make up the corresponding phonetic realization, or the surface form. Notation Phonemes are conventionally placed between slashes in transcription, whereas speech sounds (phones) are placed between square brackets. Thus, /pʊʃ/ represents a sequence of three phonemes, /p/, /ʊ/, /ʃ/ (the word push in Standard English), and [pʰʊʃ] represents the phonetic sequence of sounds [pÊ°] (aspirated p), [ʊ], [ʃ] (the usual pronunciation of push). This should not be confused with the similar convention of the use of angle brackets to enclose the units of orthography, graphemes. For example, ⟨f⟩ represents the written letter (grapheme) f. The symbols used for particular phonemes are often taken from the International Phonetic Alphabet (IPA), the same set of symbols most commonly used for phones. (For computer-typing purposes, systems such as X-SAMPA exist to represent IPA symbols using only ASCII characters.) However, descriptions of particular languages may use different conventional symbols to represent the phonemes of those languages. For languages whose writing systems employ the phonemic principle, ordinary letters may be used to denote phonemes, although this approach is often hampered by the complexity of the relationship between orthography and pronunciation (see § Correspondence between letters and phonemes below). Assignment of speech sounds to phonemes A simplified procedure for determining whether two sounds represent the same or different phonemes A phoneme is a sound or a group of different sounds perceived to have the same function by speakers of the language or dialect in question. An example is the English phoneme /k/, which occurs in words such as cat, kit, scat, skit. Although most native speakers do not notice this, in most English dialects, the "c/k" sounds in these words are not identical: in kit (help·info) [kʰɪt], the sound is aspirated, but in skill (help·info) [skɪl], it is unaspirated. The words, therefore, contain different speech sounds, or phones, transcribed [kÊ°] for the aspirated form and [k] for the unaspirated one. These different sounds are nonetheless considered to belong to the same phoneme, because if a speaker used one instead of the other, the meaning of the word would not change: using the aspirated form [kÊ°] in skill might sound odd, but the word would still be recognized. By contrast, some other sounds would cause a change in meaning if substituted: for example, substitution of the sound [t] would produce the different word still, and that sound must therefore be considered to represent a different phoneme (the phoneme /t/). The above shows that in English, [k] and [kÊ°] are allophones of a single phoneme /k/. In some languages, however, [kÊ°] and [k] are perceived by native speakers as different sounds, and substituting one for the other can change the meaning of a word. In those languages, therefore, the two sounds represent different phonemes. For example, in Icelandic, [kÊ°] is the first sound of kátur, meaning "cheerful", but [k] is the first sound of gátur, meaning "riddles". Icelandic, therefore, has two separate phonemes /kÊ°/ and /k/. Minimal pairs A pair of words like kátur and gátur (above) that differ only in one phone is called a minimal pair for the two alternative phones in question (in this case, [kÊ°] and [k]). The existence of minimal pairs is a common test to decide whether two phones represent different phonemes or are allophones of the same phoneme. To take another example, the minimal pair tip and dip illustrates that in English, [t] and [d] belong to separate phonemes, /t/ and /d/; since both words have different meanings, English-speakers must be conscious of the distinction between the two sounds. Signed languages, such as American Sign Language (ASL), also have minimal pairs, differing only in (exactly) one of the signs' parameters: handshape, movement, location, palm orientation, and nonmanual signal or marker. A minimal pair may exist in the signed language if the basic sign stays the same, but one of the parameters changes.[2] However, the absence of minimal pairs for a given pair of phones does not always mean that they belong to the same phoneme: they may be so dissimilar phonetically that it is unlikely for speakers to perceive them as the same sound. For example, English has no minimal pair for the sounds [h] (as in hat) and [ŋ] (as in bang), and the fact that they can be shown to be in complementary distribution could be used to argue for their being allophones of the same phoneme. However, they are so dissimilar phonetically that they are considered separate phonemes.[3] Phonologists have sometimes had recourse to "near minimal pairs" to show that speakers of the language perceive two sounds as significantly different even if no exact minimal pair exists in the lexicon. It is virtually impossible to find a minimal pair to distinguish English /ʃ/ from /ʒ/, yet it seems uncontroversial to claim that the two consonants are distinct phonemes. The two words 'pressure' /ˈprɛʃər/ and 'pleasure' /ˈplɛʒər/ can serve as a near minimal pair.[4] Suprasegmental phonemes Besides segmental phonemes such as vowels and consonants, there are also suprasegmental features of pronunciation (such as tone and stress, syllable boundaries and other forms of juncture, nasalization and vowel harmony), which, in many languages, change the meaning of words and so are phonemic. Phonemic stress is encountered in languages such as English. For example, there are two words spelled invite, one is a verb and is stressed on the second syllable, the other is a noun and stressed on the first syllable (without changing any of the individual sounds). The position of the stress distinguishes the words and so a full phonemic specification would include indication of the position of the stress: /ɪnˈvaɪt/ for the verb, /ˈɪnvaɪt/ for the noun. In other languages, such as French, word stress cannot have this function (its position is generally predictable) and so it is not phonemic (and therefore not usually indicated in dictionaries). Phonemic tones are found in languages such as Mandarin Chinese in which a given syllable can have five different tonal pronunciations: Minimal set for phonemic tone in Mandarin Chinese Tone number 1 2 3 4 5 Hanzi 媽 麻 馬 ç½µ 嗎 Pinyin mā má mǎ mà ma IPA [má] [mǎ] [mà][a] [mâ] [ma] Gloss mother hemp horse scold question particle The tone "phonemes" in such languages are sometimes called tonemes. Languages such as English do not have phonemic tone, but they use intonation for functions such as emphasis and attitude. Distribution of allophones When a phoneme has more than one allophone, the one actually heard at a given occurrence of that phoneme may be dependent on the phonetic environment (surrounding sounds). Allophones that normally cannot appear in the same environment are said to be in complementary distribution. In other cases, the choice of allophone may be dependent on the individual speaker or other unpredictable factors. Such allophones are said to be in free variation, but allophones are still selected in a specific phonetic context, not the other way around. Background and related ideas The term phonème (from Ancient Greek: φώνημα, romanized: phōnēma, "sound made, utterance, thing spoken, speech, language"[5]) was reportedly first used by A. Dufriche-Desgenettes in 1873, but it referred only to a speech sound. The term phoneme as an abstraction was developed by the Polish linguist Jan Baudouin de Courtenay and his student Mikołaj Kruszewski during 1875–1895.[6] The term used by these two was fonema, the basic unit of what they called psychophonetics. Daniel Jones became the first linguist in the western world to use the term phoneme in its current sense, employing the word in his article "The phonetic structure of the Sechuana Language".[7] The concept of the phoneme was then elaborated in the works of Nikolai Trubetzkoy and others of the Prague School (during the years 1926–1935), and in those of structuralists like Ferdinand de Saussure, Edward Sapir, and Leonard Bloomfield. Some structuralists (though not Sapir) rejected the idea of a cognitive or psycholinguistic function for the phoneme.[8][9] Later, it was used and redefined in generative linguistics, most famously by Noam Chomsky and Morris Halle,[10] and remains central to many accounts of the development of modern phonology. As a theoretical concept or model, though, it has been supplemented and even replaced by others.[11] Some linguists (such as Roman Jakobson and Morris Halle) proposed that phonemes may be further decomposable into features, such features being the true minimal constituents of language.[12] Features overlap each other in time, as do suprasegmental phonemes in oral language and many phonemes in sign languages. Features could be characterized in different ways: Jakobson and colleagues defined them in acoustic terms,[13] Chomsky and Halle used a predominantly articulatory basis, though retaining some acoustic features, while Ladefoged's system[14] is a purely articulatory system apart from the use of the acoustic term 'sibilant'. In the description of some languages, the term chroneme has been used to indicate contrastive length or duration of phonemes. In languages in which tones are phonemic, the tone phonemes may be called tonemes. Though not all scholars working on such languages use these terms, they are by no means obsolete. By analogy with the phoneme, linguists have proposed other sorts of underlying objects, giving them names with the suffix -eme, such as morpheme and grapheme. These are sometimes called emic units. The latter term was first used by Kenneth Pike, who also generalized the concepts of emic and etic description (from phonemic and phonetic respectively) to applications outside linguistics.[15] Restrictions on occurrence Main article: Phonotactics Languages do not generally allow words or syllables to be built of any arbitrary sequences of phonemes. There are phonotactic restrictions on which sequences of phonemes are possible and in which environments certain phonemes can occur. Phonemes that are significantly limited by such restrictions may be called restricted phonemes. In English, examples of such restrictions include the following: /ŋ/, as in sing, occurs only at the end of a syllable, never at the beginning (in many other languages, such as Māori, Swahili, Tagalog, and Thai, /ŋ/ can appear word-initially). /h/ occurs only at the beginning of a syllable, never at the end (a few languages, such as Arabic and Romanian, allow /h/ syllable-finally). In non-rhotic dialects, /ɹ/ can occur immediately only before a vowel, never before a consonant. /w/ and /j/ occur only before a vowel, never at the end of a syllable (except in interpretations in which a word like boy is analyzed as /bɔj/). Some phonotactic restrictions can alternatively be analyzed as cases of neutralization. See Neutralization and archiphonemes below, particularly the example of the occurrence of the three English nasals before stops. Biuniqueness Biuniqueness is a requirement of classic structuralist phonemics. It means that a given phone, wherever it occurs, must unambiguously be assigned to one and only one phoneme. In other words, the mapping between phones and phonemes is required to be many-to-one rather than many-to-many. The notion of biuniqueness was controversial among some pre-generative linguists and was prominently challenged by Morris Halle and Noam Chomsky in the late 1950s and early 1960s. An example of the problems arising from the biuniqueness requirement is provided by the phenomenon of flapping in North American English. This may cause either /t/ or /d/ (in the appropriate environments) to be realized with the phone [ɾ] (an alveolar flap). For example, the same flap sound may be heard in the words hitting and bidding, although it is intended to realize the phoneme /t/ in the first word and /d/ in the second. This appears to contradict biuniqueness. For further discussion of such cases, see the next section. Neutralization and archiphonemes This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Phoneme" – news · newspapers · books · scholar · JSTOR (May 2019) (Learn how and when to remove this template message) Phonemes that are contrastive in certain environments may not be contrastive in all environments. In the environments where they do not contrast, the contrast is said to be neutralized. In these positions it may become less clear which phoneme a given phone represents. Absolute neutralization is a phenomenon in which a segment of the underlying representation is not realized in any of its phonetic representations (surface forms). The term was introduced by Paul Kiparsky (1968), and contrasts with contextual neutralization where some phonemes are not contrastive in certain environments.[16] Some phonologists prefer not to specify a unique phoneme in such cases, since to do so would mean providing redundant or even arbitrary information – instead they use the technique of underspecification. An archiphoneme is an object sometimes used to represent an underspecified phoneme. An example of neutralization is provided by the Russian vowels /a/ and /o/. These phonemes are contrasting in stressed syllables, but in unstressed syllables the contrast is lost, since both are reduced to the same sound, usually [ə] (for details, see vowel reduction in Russian). In order to assign such an instance of [ə] to one of the phonemes /a/ and /o/, it is necessary to consider morphological factors (such as which of the vowels occurs in other forms of the words, or which inflectional pattern is followed). In some cases even this may not provide an unambiguous answer. A description using the approach of underspecification would not attempt to assign [ə] to a specific phoneme in some or all of these cases, although it might be assigned to an archiphoneme, written something like //A//, which reflects the two neutralized phonemes in this position, or {a}, reflecting its unmerged values.[b] A somewhat different example is found in English, with the three nasal phonemes /m, n, ŋ/. In word-final position these all contrast, as shown by the minimal triplet sum /sʌm/, sun /sʌn/, sung /sʌŋ/. However, before a stop such as /p, t, k/ (provided there is no morpheme boundary between them), only one of the nasals is possible in any given position: /m/ before /p/, /n/ before /t/ or /d/, and /ŋ/ before /k/, as in limp, lint, link (/lɪmp/, /lɪnt/, /lɪŋk/). The nasals are therefore not contrastive in these environments, and according to some theorists this makes it inappropriate to assign the nasal phones heard here to any one of the phonemes (even though, in this case, the phonetic evidence is unambiguous). Instead they may analyze these phones as belonging to a single archiphoneme, written something like //N//, and state the underlying representations of limp, lint, link to be //lɪNp//, //lɪNt//, //lɪNk//. This latter type of analysis is often associated with Nikolai Trubetzkoy of the Prague school. Archiphonemes are often notated with a capital letter within double virgules or pipes, as with the examples //A// and //N// given above. Other ways the second of these has been notated include |m-n-ŋ|, {m, n, ŋ} and //n*//. Another example from English, but this time involving complete phonetic convergence as in the Russian example, is the flapping of /t/ and /d/ in some American English (described above under Biuniqueness). Here the words betting and bedding might both be pronounced [ˈbɛɾɪŋ]. Under the generative grammar theory of linguistics, if a speaker applies such flapping consistently, morphological evidence (the pronunciation of the related forms bet and bed, for example) would reveal which phoneme the flap represents, once it is known which morpheme is being used.[17] However, other theorists would prefer not to make such a determination, and simply assign the flap in both cases to a single archiphoneme, written (for example) //D//. Further mergers in English are plosives after /s/, where /p, t, k/ conflate with /b, d, É¡/, as suggested by the alternative spellings sketti and sghetti. That is, there is no particular reason to transcribe spin as /ˈspɪn/ rather than as /ˈsbɪn/, other than its historical development, and it might be less ambiguously transcribed //ˈsBɪn//. Morphophonemes Main article: Morphophonology A morphophoneme is a theoretical unit at a deeper level of abstraction than traditional phonemes, and is taken to be a unit from which morphemes are built up. A morphophoneme within a morpheme can be expressed in different ways in different allomorphs of that morpheme (according to morphophonological rules). For example, the English plural morpheme -s appearing in words such as cats and dogs can be considered to be a single morphophoneme, which might be transcribed (for example) //z// or |z|, and which is realized phonemically as /s/ after most voiceless consonants (as in cats) and as /z/ in other cases (as in dogs). Numbers of phonemes in different languages All known languages use only a small subset of the many possible sounds that the human speech organs can produce, and, because of allophony, the number of distinct phonemes will generally be smaller than the number of identifiably different sounds. Different languages vary considerably in the number of phonemes they have in their systems (although apparent variation may sometimes result from the different approaches taken by the linguists doing the analysis). The total phonemic inventory in languages varies from as few as 9–11 in Pirahã and 11 in Rotokas to as many as 141 in !XÅ©.[18][19][20] The number of phonemically distinct vowels can be as low as two, as in Ubykh and Arrernte. At the other extreme, the Bantu language Ngwe has 14 vowel qualities, 12 of which may occur long or short, making 26 oral vowels, plus six nasalized vowels, long and short, making a total of 38 vowels; while !Xóõ achieves 31 pure vowels, not counting its additional variation by vowel length, by varying the phonation. As regards consonant phonemes, Puinave and the Papuan language Tauade each have just seven, and Rotokas has only six. !Xóõ, on the other hand, has somewhere around 77, and Ubykh 81. The English language uses a rather large set of 13 to 21 vowel phonemes, including diphthongs, although its 22 to 26 consonants are close to average. Across all languages, the average number of consonant phonemes per language is about 22, while the average number of vowel phonemes is about 8.[21] Some languages, such as French, have no phonemic tone or stress, while Cantonese and several of the Kam–Sui languages have six to nine tones (depending on how they're counted), and the Kam-Sui Dong language has nine to 15 tones by the same measure. One of the Kru languages, Wobé, has been claimed to have 14,[22] though this is disputed.[23] The most common vowel system consists of the five vowels /i/, /e/, /a/, /o/, /u/. The most common consonants are /p/, /t/, /k/, /m/, /n/.[24] Relatively few languages lack any of these consonants, although it does happen: for example, Arabic lacks /p/, standard Hawaiian lacks /t/, Mohawk and Tlingit lack /p/ and /m/, Hupa lacks both /p/ and a simple /k/, colloquial Samoan lacks /t/ and /n/, while Rotokas and Quileute lack /m/ and /n/.   At The Emрire Тrading, we keep an eye out for favorable circumstances we believe will interest our readers. The following is one such message from one of our colleagues I think you’ll appreciate. [TheEmpireTrading] [Privacy Policy]( - [Terms & Conditions]( - The easiest way to guarantee you get every email is to [whitelisting us.]( provided by Finance and Investing Traffic, LLC, owner and operator of TheEmpireTrading.comCopyright © 2023 TheEmpireTrading. All Rights Reserved. This email was sent to {EMAIL} This offer is brought to you by The Empire Trading. 221 W 9th St # Wilmington, DE 19801. If you would like to unsubscribe from receiving offers brought to you by The Empire Trading [click here](. [View in browser]( I Mar 23, 2023

EDM Keywords (304)

yet written works words word wikipedia ways vowels view verb varying used use unsubscribe unlikely units unit underspecification unaspirated ubykh two transcribed total tones tone time think therefore theorists thai terms term technique taken symbols syllables supplemented sun suggested substitution substituted stressed stress stop state specify speakers speaker sound sorts sometimes smaller slashes skill six sing since shows shown show sghetti several seven set serve sequences sequence sent segments segment second said russian rotokas response requirement required represent remove relationship reflects reflecting referred reduced redefined recourse recognized realized realize readers question push provided provide proposed pronunciation produce possible positions position plosives placed pirah pipes phonology phones phonemic phonemes phoneme phone phonation phenomenon perceived perceive pat particularly pair others orthography order operator one offer occurs occurrence number noun notion notice nine neutralized neutralization necessary nasals names morphophoneme morphemes morpheme mohawk might message mergers means meaning may marker mapping many makes make low linguists linguistics lexicon letters launched languages language ladefoged known keep ipa introduced interpreted interpretations interest intended instance inappropriate identical idea hypersonic however heard hat happen hand guarantee group grapheme generally functions function french free found forms fonema following followed flapping flap find finance features famously fact eye extreme expressed existence examples example exactly established equivalent environments environment english end encountered enclose emphasis emic email elaborated effect duration dogs distinguished distinction discussion discover differ dialects dialect development developed determination description described dependent decomposable create counting counted contrasts contrastive contrasting contrast constitute consonants considered conscious confused conditioned concepts concept complexity collection colleagues cognitive close claimed claim choice china characterized change challenged cats cases case cantonese called built browser brought biuniqueness belonging belong believe beginning bed bang attempt assignment assigned assign aspirated article arrernte argue archiphonemes archiphoneme arabic approach appears appearing another analyzed analysis analogy america alternatively allophony allophones according abstraction absence 22 1873 141 13 11

Marketing emails from theempiretrading.com

View More
Sent On

19/05/2024

Sent On

18/05/2024

Sent On

17/05/2024

Sent On

16/05/2024

Sent On

12/05/2024

Sent On

11/05/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.