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⏩ Rate her back ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ ‌‌ [Go to the website]( She likes you! [Haven]( [Haven, 20 years]( [Send a message]( [Go to the website]( This letter was sent to [{EMAIL}](#). If you do not want receive notifications from Wethunt, go to [notification settings](. Michelangelo di Lodovico Buonarroti Simoni (Italian: [mikeˈlandʒelo di lodoˈviːko ˌbwɔnarˈrɔːti siˈmoːni]; 6 March 1475 – 18 February 1564), known as Michelangelo (English: /ˌmaɪkəlˈændʒəloʊ, ˌmɪk-/[1]), was an Italian sculptor, painter, architect,[2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci.[3] Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.[4][5] Michelangelo achieved fame early; two of his best-known works, the Pietà and David, were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture.[6] At the age of 71, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. Michelangelo transformed the plan so that the western end was finished to his design, as was the dome, with some modification, after his death. Michelangelo was the first Western artist whose biography was published while he was alive.[3] In fact, three biographies were published during his lifetime. One of them, by Giorgio Vasari, proposed that Michelangelo's work transcended that of any artist living or dead, and was "supreme in not one art alone but in all three."[7] In his lifetime, Michelangelo was often called Il Divino ('the divine one').[8] His contemporaries often admired his terribilità —his ability to instill a sense of awe in viewers of his art. Attempts by subsequent artists to imitate[9] the expressive physicality of Michelangelo's style contributed to the rise of Mannerism, a short-lived movement in Western art following the High Renaissance. Life Early life, 1475–1488 Michelangelo was born on 6 March 1475[a] in Caprese, known today as Caprese Michelangelo, a small town situated in Valtiberina,[10] near Arezzo, Tuscany.[11] For several generations, his family had been small-scale bankers in Florence; but the bank failed, and his father, Ludovico di Leonardo Buonarroti Simoni, briefly took a government post in Caprese, where Michelangelo was born.[3] At the time of Michelangelo's birth, his father was the town's judicial administrator and podestà or local administrator of Chiusi della Verna. Michelangelo's mother was Francesca di Neri del Miniato di Siena.[12] The Buonarrotis claimed to descend from the Countess Matilde di Canossa—a claim that remains unproven, but which Michelangelo believed.[13] Several months after Michelangelo's birth, the family returned to Florence, where he was raised. During his mother's later prolonged illness, and after her death in 1481 (when he was six years old), Michelangelo lived with a nanny and her husband, a stonecutter, in the town of Settignano, where his father owned a marble quarry and a small farm.[12] There he gained his love for marble. As Giorgio Vasari quotes him: If there is some good in me, it is because I was born in the subtle atmosphere of your country of Arezzo. Along with the milk of my nurse I received the knack of handling chisel and hammer, with which I make my figures.[11] Apprenticeships, 1488–1492 The Madonna of the Stairs (1490–1492), Michelangelo's earliest known work in marble As a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino.[11][14][b] He showed no interest in his schooling, preferring to copy paintings from churches and seek the company of other painters.[14] The city of Florence was at that time Italy's greatest centre of the arts and learning.[15] Art was sponsored by the Signoria (the town council), the merchant guilds, and wealthy patrons such as the Medici and their banking associates.[16] The Renaissance, a renewal of Classical scholarship and the arts, had its first flowering in Florence.[15] In the early 15th century, the architect Filippo Brunelleschi, having studied the remains of Classical buildings in Rome, had created two churches, San Lorenzo's and Santo Spirito, which embodied the Classical precepts.[17] The sculptor Lorenzo Ghiberti had laboured for fifty years to create the north and east bronze doors of the Baptistry, which Michelangelo was to describe as "The Gates of Paradise".[18] The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence: Donatello, Ghiberti, Andrea del Verrocchio, and Nanni di Banco.[16] The interiors of the older churches were covered with frescos (mostly in Late Medieval, but also in the Early Renaissance style), begun by Giotto and continued by Masaccio in the Brancacci Chapel, both of whose works Michelangelo studied and copied in drawings.[19] During Michelangelo's childhood, a team of painters had been called from Florence to the Vatican to decorate the walls of the Sistine Chapel. Among them was Domenico Ghirlandaio, a master in fresco painting, perspective, figure drawing and portraiture who had the largest workshop in Florence.[16] In 1488, at age 13, Michelangelo was apprenticed to Ghirlandaio.[20] The next year, his father persuaded Ghirlandaio to pay Michelangelo as an artist, which was rare for someone of fourteen.[21] When in 1489, Lorenzo de' Medici, de facto ruler of Florence, asked Ghirlandaio for his two best pupils, Ghirlandaio sent Michelangelo and Francesco Granacci.[22] From 1490 to 1492, Michelangelo attended the Platonic Academy, a Humanist academy founded by the Medici. There, his work and outlook were influenced by many of the most prominent philosophers and writers of the day, including Marsilio Ficino, Pico della Mirandola and Poliziano.[23] At this time, Michelangelo sculpted the reliefs Madonna of the Stairs (1490–1492) and Battle of the Centaurs (1491–1492),[19] the latter based on a theme suggested by Poliziano and commissioned by Lorenzo de' Medici.[24] Michelangelo worked for a time with the sculptor Bertoldo di Giovanni. When he was seventeen, another pupil, Pietro Torrigiano, struck him on the nose, causing the disfigurement that is conspicuous in the portraits of Michelangelo.[25] Bologna, Florence, and Rome, 1492–1499 Pietà , St Peter's Basilica (1498–1499) Lorenzo de' Medici's death on 8 April 1492 brought a reversal of Michelangelo's circumstances.[26] Michelangelo left the security of the Medici court and returned to his father's house. In the following months he carved a polychrome wooden Crucifix (1493), as a gift to the prior of the Florentine church of Santo Spirito, which had allowed him to do some anatomical studies of the corpses from the church's hospital.[27] This was the first of several instances during his career that Michelangelo studied anatomy by dissecting cadavers.[28][29] Wethunt, Trust Company Complex, Ajeltake Road, Ajeltake Island, Majuro, Republic of the Marshall Islands MH 96960