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June 3, 2019
[Preamble](
[Tonya M. Foster](
Childless, I am in a house on the ocean-edge
of a national park. Nights, I consider broadcast horrors. This is not
my house. I am a stranger, a newcomer. So often, too,
is the horror. Passes time. Passes time. Past time lights
up my liturgical tendencies, illumines past time, my lovelies.
Here, in this room, in this house, the light is sometimey as always.
Clouds. Wind and all. Pronounced through windows onto woods, onto
lawns.
Say âLight casts its tender hieroglyphs on the mundane
and cataclysmic equally,â and fancify a nothing, go straight
for an inaccuracy that distracts and passes time.
And light comes before the hieroglyph, and (as marker)
these hieroglyphs give meager insight into the ânatureâ of light beyond
some minor perceptions. And what? Shall I ride the alliterative waves
of articulation and silence that fog my mouth and mind? Or just let
the words like particles roll? See where and what this accrual of
syllables gets us?
Itâs midday, and you are both years before the you to whom this poem
whispers, before the women with whom these syllables conspire.
Lullaby, loves,
this ainât. I have become a woman who screams softly. Maybe an over-
abundance
of caution? Of caustic care? Well, Iâve seen the clips and memes, heard
the murmurs
and corporate decisions meant to mark-up and mock the nature of you
thatâs well beyond
easy perception. In past times,
Iâve been medicated out of my self, locked under
an atmospheric feeling, the condition of which would not relent, which
could will âwill notâ
to relent. Wheels of wheeling wonât re-
lent. Absolve your self sunken between
Breath breath breathe and the toxic dirt.
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Copyright © 2019 Tonya M. Foster. Originally published in Poem-a-Day on June 3, 2019, by the Academy of American Poets.
[Foster reads "Preamble."](
About This Poem
ââPreambleâ is the opening poem in a collection of epistolary poems largely addressed to my two ten-year-old nieces. More accurately, the poems are addressed to their future adult selves. I attempt to layer familial histories with contemporary social and cultural stories, with collages that seek to situate life and living in the Anthropocene. I want to keep a record of the now of their childhood. Here, the long lines are pitching the voice forward (and sometimes back) through time.â
âTonya M. Foster
[Tonya M. Foster](
Tonya M. Foster is the author of A Swarm of Bees in High Court (Belladonna*, 2015) and the co-editor of Third Mind: Teaching Creative Writing through Visual Art (Teachers & Writers Collaborative, 2002). She is an assistant professor in writing and literature at California College of the Arts. She lives in the Bay Area.
[A Swarm of Bees in High Court](
Poetry by Foster
[A Swarm of Bees in High Court](
(Belladonna*, 2015)
"Decompose: Of Immaterial Things" by Erica Mena
[read-more](
"Ancestors Are Calling" by T. J. Anderson III
[read-more](
"The Artificial Infinite" by Gina Franco
[read-more](
June Guest Editor: Samiya Bashir
Thanks to [Samiya Bashir](, author of Field Theories (Nightboat Books, 2017), who curated Poem-a-Day for this monthâs weekdays. Read a [Q&A with Bashir]( about her curatorial approach this month and find out more about our [guest editors for the year.](
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