Tributes to the Confederacy in New Orleans
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[The Robert E. Lee memorial in New Orleans, which is scheduled to be removed.](
The Robert E. Lee memorial in New Orleans, which is scheduled to be removed. William Widmer for The New York Times
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The workers, wearing helmets and bullet-resistant vests, have worked at night in New Orleans. Protesters have been kept at a distance, streetcars have sometimes been stopped and traffic has been rerouted. Litigation and outrage have not been in short supply.
New Orleans is halfway through a bitterly contested plan to remove four Confederate monuments from public spaces in the city.
A monument to a Reconstruction-era insurrection was taken down last month. This week, workers dismantled a statue of Jefferson Davis, the president of the Confederacy. The city intends to soon remove two other monuments â statues of the Confederate generals Robert E. Lee and P. G. T. Beauregard.
City officials, pressed by Mayor Mitch Landrieu, declared the monuments to be nuisances months after nine black churchgoers were killed in a racially motivated massacre in Charleston, S.C. The courts ultimately allowed the removals to go forward, and the city said it was weighing where to display the monuments so they could âplaced in their proper historical context from a dark period of American history.â
But the mayorâs approach has been controversial in New Orleans, where protests have turned tense and the authorities have feared an outbreak of violence.
In separate interviews, a leading critic and a prominent supporter of the monuments reflected on the turmoil in New Orleans, the legacy of a protracted debate and the place of Confederate-focused symbols that still stand across a changing South.
The interviews, conducted after the removal of the Davis statue, have been condensed and edited.
[Alan Blinder](
[The platform that held the monument to Jefferson Davis until it was removed early Thursday.]
The platform that held the monument to Jefferson Davis until it was removed early Thursday. William Widmer for The New York Times
Angela Kinlaw
Ms. Kinlaw helped steer the Take âEm Down NOLA movement, which urged city leaders to remove the monuments. She is an educator who has lived in New Orleans for about four years.
Why do you want these monuments to come down?
Itâs a necessary part of the struggle toward racial and economic justice.
The statues are intended to send a message to black folks to stay in their places. We donât see the time, energy and resources going into promoting the kind of images, the kinds of systems that people need to really thrive.
This art is not reflective of the majority of people in the city. The majority of the people in this city are black folks, and it doesnât reflect them.
When people say, âThis is a topic thatâs just come up,â itâs absolutely inaccurate. This is a fight thatâs been going on for decades.
New Orleans is a liberal city in a conservative state. Are you surprised to see the monuments actually being removed?
I think that Iâm always cautiously optimistic, and I say that because no matter what breakthroughs we have, weâre clear that our work is never done. Even though we can have an appreciation that the mayor finally gave into an ordinance for four of these monuments to white supremacy, the reality is that theyâre all over the city. You should take down these four, and you should take down the others.
But are you surprised to see even these four coming down?
Weâve always believed it was possible. It required will.
The mayor has talked about how he thinks the removal of the monuments will foster reconciliation. How will that happen?
Reconciliation is going to require for us to really put some truth on the table about what weâre dealing with. If reconciliation is going to happen through policy or through legislation, thereâs going to have to be a shift in power, a shift in resources.
Supporters of the monuments walked around New Orleans waving Confederate battle flags. David Duke, the former Ku Klux Klan leader and Louisiana native, was a prominent critic of the decision to remove the monuments. What do you think of your opponents?
Iâm not as concerned about the folks who come out and wave their flags. They are problematic, no doubt. Iâm more concerned about the rich ruling class that has decision-making power and resource power to determine peopleâs destinies within the city.
As long as folks, people see it as symbols, they think itâs in isolation. But all of these things are connected. People wouldnât be working so hard to defend them if they didnât matter. As they see them coming down, they question their own power.
What do the successes with the monuments mean for the future?
Itâs helped us understand that we canât put our complete trust and faith in elected officials. We as the people have to unify and demand what it is we need. The governmentâs not just going to move and roll over and do right by people. We have to demand that.
It becomes challenging when everybodyâs fighting for different things at different times. Now people realize the power of coming together collectively.
[Workers dismantle an an obelisk dedicated to the Battle of Liberty Place, which commemorated whites who tried to topple a biracial post-Civil War government.]
Workers dismantle an an obelisk dedicated to the Battle of Liberty Place, which commemorated whites who tried to topple a biracial post-Civil War government. Gerald Herbert/Associated Press
Richard A. Marksbury
A former dean at Tulane University and a member of the Monumental Task Committee, a volunteer-run group that supports keeping the cityâs existing monuments, Mr. Marksbury was part of the legal effort to keep the statues.
Why should these monuments be left in place?
Iâm a cultural anthropologist â Iâm 66 years old, I was in the Peace Corps, I did my research overseas, and I helped two different peoples try to record and save their cultural heritage â so my whole life has been dedicated to trying to preserve cultural heritage, which means I donât believe in tearing down anything.
We have very wealthy donors who would pay for bronze plaques explaining who these men were, what they fought for, what happened to try to educate people. Iâm an educator, so I think thereâs ways to educate people without tearing anything down.
So what or who is driving the uproar? The mayor?
This was a man-made crisis. We didnât have an issue. This was a one-man show from the top down for self-serving reasons.
In 1993, the City Council passed an ordinance, and the way this nuisance ordinance is triggered is any citizen can come to the council and make a presentation and say, âThis monument violates the ordinance.â We had three black mayors who never invoked it. Nobody ever cared about it, nobody ever used it until Mayor Landrieu did.
What about the other critics? The mayor isnât alone, so what are the motives of the others?
I think itâs part of the social-economic problems we have in America and in our cities, whether itâs high unemployment among young people and a lot of crime and school systems that are broken.
These are mostly young people, and this gives them some opportunity to protest some aspect of the government. Deep down, I donât think it has anything to do with the monuments because when these monuments are down, theyâre going to migrate to another thing.
The monuments are just symbolic of issues, and itâs a way out to vent, quite frankly, and the mayor opened the door to vent that way.
How much of an effect do you think David Duke had on the debate? Heâs been on Twitter a lot.
Any effect he had was minimal. Heâs a flash point, and people love to mention his name.
Mitch Landrieu created this man-made disaster, and the press wants to create the David Duke involvement. Itâs just nonexistent. If heâs tweeting, heâs tweeting.
Supporters of the monuments have sometimes been lumped together as racists. How do you feel about that? Does it bother you that the rhetoric has become what it is?
I didnât know I had been lumped in with anybody.
Iâve had threats, and Iâve had to call 911. But no oneâs called me any names. I have a pretty good reputation with the people that know me. I ran a division at Tulane where I gave people second and third chances for education.
No one has looked me in the face and called me any names. Maybe they do it behind my back, but Iâve never been lumped in with anybody that I know of because Iâve never made it a race issue. Iâve made it an issue about education and destroying or sanitizing history.
How does this episode shape the cityâs culture?
Thatâs the $64,000 question. Itâs a sad situation. This issue has brought more racial tension than anything Iâve seen or witnessed in the 44 years Iâve lived here, and I think most adults, black or white, living here would say the same thing. Itâs sad.
Also, we donât know how it will end. If anybody thinks itâs going to end when these monuments are down, theyâre kidding themselves. Take âEm Down says they want to take down another 128.
This will not go away anytime soon.
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[Ohene Asare, left, his wife, Régine Jean-Charles, and their four children at their home in Milton, Mass.]
Ohene Asare, left, his wife, Régine Jean-Charles, and their four children at their home in Milton, Mass. Damon Casarez for The New York Times
House Rules
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