Newsletter Subject

Episode 810 of Weekends with Yankee: To the Top

From

newengland.com

Email Address

today@newengland.com

Sent On

Fri, Sep 13, 2024 07:03 PM

Email Preheader Text

Travel Throughout New England with Weekends with Yankee In this episode, co-host Amy Traverso visits

Travel Throughout New England with Weekends with Yankee [Weekends with Yankee Logo]( [Hero-WWY-Video-Still]( [Weekends with Yankee Episode 810: “To the Top”]( In this episode, co-host Amy Traverso visits cookbook author Dorie Greenspan at her Connecticut home, where they collaborate on baking a delectable triple-layer parsnip and cranberry cake. Next, host Richard Wiese travels to New Hampshire to challenge his rock climbing skills at Rumney, a renowned climbing spot in the Northeast. Finally, the journey takes us to Martha’s Vineyard in Massachusetts, where acclaimed architect Patrick Ahearn showcases some of his favorite preservation projects on the island. [WATCH NOW]( [5 Questions with Patrick Ahearn]( Patrick Ahearn may have grown up in suburbia—Levittown, Long Island—but he made his name in the 1980s as a leading player in the revitalization of Boston’s Back Bay neighborhood. Today he’s best known for helping to transform the Martha’s Vineyard community of Edgartown from a slightly down-at-the-heels tourist spot into the definitive New England seaside village. Look for him on the new season of Weekends with Yankee, where he takes us on a walking tour of some of his most noteworthy island projects. —Amy Traverso [Joanne Chang’s Pork and Chive Dumplings] Patrick Ahearn, author of Timeless: Classic American Architecture for Contemporary Living. Photo Credit : Randi Baird Q&A with Architect Patrick Ahearn What are the origins of New England architectural style? When the Pilgrims arrived, they had to adapt English designs to a colder winter with more snow, so the steep pitch of the roof became a signature design element. The indigenous material was wood … and glass was difficult to get or make, so windows were small. Then they needed a large center fireplace to heat the house. So there’s your basic saltbox design. And if the farmstead grew, then maybe the barn was eventually incorporated into living space and they built another barn. So the ensemble of buildings we think of as classic New England architecture is really reflective of 400 years of history, of uses changing. How did you get started working with traditional architecture? After grad school, I moved to Boston and ended up working in the Architects Collaborative, founded by Walter Gropius. So I know how to do modern houses…. [But] in Boston there was this rich architecture, albeit falling into disrepair. Beacon Hill was filled with rooming houses; Newbury Street was a ghost of what it is today. I started looking at these abandoned houses in Back Bay and saw you could make condominiums out of them so young people could afford to buy into these neighborhoods. What drew you to Martha’s Vineyard? My wife knew James Taylor’s father, Ike, and when we visited with him on the island, we went to look at real estate. I found a little house in Edgartown that was in foreclosure. For the first five years, it was just a retreat. But I began to understand the community and saw an opportunity to get rid of the T-shirt shops and neon lights and revive it as a commercial and residential district. Since then, I’ve done more than 200 houses in 12 square blocks. How did you achieve a coherent look among that many projects? It’s complicated. Zoning dictates design. But I don’t give up—that’s my Long Island upbringing. If it’s not plan A, then it’s plan B, or C, or D. I also try to represent what’s best for the town. It’s not just about what the client wants, but the collective whole. What’s the style of the houses on the block? What’s the right scale for the streetscape? How can you allow a neighbor to retain their water view without compromising the design? Can you describe your perfect day on Martha’s Vineyard? [Laughs.] Not having to go in front of the zoning board. Series funding for Weekends with Yankee is provided by [New Hampshire Tourism]( [Grady-White Boats]( [Maine Tourism]( [Massachusetts Tourism]( [The Barn Yard]( [American Cruise Lines]( Weekends with Yankee is a production of WGBH Boston and Yankee Magazine and is distributed by American Public Television. [GBH Television] [Yankee Magazine] [APT] [New England]( [TRAVEL]( [FOOD]( [LIVING]( [WEEKENDS WITH YANKEE TV]( [YANKEE MAGAZINE]( [SHOP]( [Facebook]( [Instagram]( [Pinterest]( You received this email because you signed for updates from [NewEngland.com](. If you do not wish to receive our regular e-mail newsletters in the future, please [click here to manage your preferences or unsubscribe](. *Please do not reply to this e-mail* © 2024 Yankee Publishing Inc. All rights reserved. 1121 Main Street | P.O. Box 520 | Dublin, NH 03444 [Contact Us]( [View web version](

Marketing emails from newengland.com

View More
Sent On

08/12/2024

Sent On

06/12/2024

Sent On

05/12/2024

Sent On

04/12/2024

Sent On

04/12/2024

Sent On

04/12/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.