Welcome to our second article in The Manual series. Find out what's "neue" this time round... [View in Browser](
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[The Manual: Making Choices What's Neue?](
Making Choices: Whatâs Neue?
Youâve always liked the Frutiger typeface. Finally, you can justify buying the complete family â but which one: Frutiger, Frutiger Neue or Frutiger Next? They look the same (well, pretty much) yet each has a different name. So, whatâs going on here?
Whatâs Going On
Basically âneueâ (and next, nova, etc.) designs are modern, revitalized and updated versions of classic, machine or hand-set typefaces. Many also have more weights and proportions than the original family, in addition to enlarged character sets and extended language capabilities. For the most part, they are better typographic tools.
Back in the Day
In the days when a font was something you could actually hold in your hand, it cost a small fortune to make a new typeface design. If the initial designs in the family proved to be financially successful, new ones were added to over time. Ultimately, popular designs became a family of typefaces that were similar â but usually lacked the systematic structure and cohesiveness of modern digital families. To complicate things, the technology of machine-set metal type put draconian restrictions on the design of typefaces.
When a family of metal fonts was adapted for phototypesetting, the compromises that had been made for machine-set typography were kept to ensure consistent imaging between the two different technologies. When digital fonts replaced photo fonts, many times the same thing happened again.
Cover of brochure announcing Helvetica®, originally called âNeue Haas Grotesk".
[Helvetica Neue](
"Neueâ means ânewâ in German. The first neue typeface was âNeue Haas Grotesk.â It was released in 1957 as a ânewâ sans serif design from the Haas Type Foundry in Switzerland. The Haas Type Foundry was owned by the Stempel AG, a German type foundry. Stempel released âNeue Haas Groteskâ under the name âHelvetica.â Neue Helvetica is an updated version of Stempel and Linotypeâs Helvetica design. (Although, at 35-years old, Neue Helvetica isnât all that new anymore.) It was designed in 1983 as an enlarged and improved phototype version of the original machine-set family. 2019 update of the original design with three optical sizes: Micro, for legibility at small sizes; Text, for comfortable reading in body copy; and Display, for headlines. The design also features alternate characters. Character design and spacing has been improved over previous versions.
Bottom Line
If you want the newest and best version of a typeface family, go with the âneueâ design. If youâre looking to capture the flavor and idiosyncrasies of the machine-set versions of the typeface, pick the ânon-neueâ fonts.
There is, however, an important caveat to using neue typefaces: If your client is using the original design and you use a neue design, there is a strong likelihood that it will not match the weights, spacing or even the structural details of the original. If you want consistency and backward compatibility, youâll need to stick with fonts of the original typefaces.
[Neue Things You Should Know](
Download a pdf version of this [article]( and the "[Neue Things You Should Know](" document for your reference.
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