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[Conserving Rusconi: Vitruvius's Ten Books on Architecture](
[Conserving Rusconi: Vitruvius's Ten Books on Architecture](
Go behind the scenes at The Met to see the conservation of a 17th-century edition of Vitruvius's [Ten Books on Architecture]( and to learn more about its fascinating history. [Watch now →]( [Tatreez in Time](
[Tatreez in Time](
Through the cultural practice of embroidery known as tatreez, Palestinian women decorated their thobe (or dress) with symbols of history, memory, and place, telling the tale of the maker’s life and her connection to the land through an illustrative medium of colorfully stitched motifs.[Read now →]( [Immaterial: Blankets and Quilts](
[Immaterial: Blankets and Quilts](
Blankets comfort and keep us warm. They accompany us through our lives. They are keepers of some of our most intimate stories. We look at a group of artists who harness this power of blankets and quilts as totems for memory, community, and cultural survival. [Listen now →]( [The Leonard A. Lauder Distinguished Scholar Lecture—Blackbeats: Cubism Reimagined](
[The Leonard A. Lauder Distinguished Scholar Lecture—Blackbeats: Cubism Reimagined](
Join scholar Richard J. Powell as he rethinks the art of Cubism through the historical and aesthetic lens of African American art. [Watch now →]( [Gold, Griffins, and Greeks: Scythian Art and Cultural Interactions in the Black Sea](
[Gold, Griffins, and Greeks: Scythian Art and Cultural Interactions in the Black Sea](
Learn how interactions between Greek settlers and the Scythian peoples around them profoundly impacted and influenced artistic and cultural production over centuries. [Read now →]( [Exhibition Highlights]( [The Harlem Renaissance and Transatlantic Modernism](
[The Harlem Renaissance and Transatlantic Modernism](
FINAL WEEKEND
Through July 28, 2024
The Met Fifth Avenue
[Sleeping Beauties: Reawakening Fashion](
[Sleeping Beauties: Reawakening Fashion](
Through September 2, 2024
The Met Fifth Avenue [Lineages: Korean Art at The Met](
[Lineages: Korean Art at The Met](
Through October 20, 2024
The Met Fifth Avenue
[The Real Thing: Unpackaging Product Photography](
[The Real Thing: Unpackaging Product Photography](
Through August 4, 2024
The Met Fifth Avenue [Chinese Painting and Calligraphy: Selections from the Collection](
[Chinese Painting and Calligraphy: Selections from the Collection](
JUST OPENED
Through January 5, 2025
The Met Fifth Avenue [Mary Sully: Native Modern](
[Mary Sully: Native Modern](
JUST OPENED
Through January 12, 2025
The Met Fifth Avenue [Inspiring Design: The Book Collection of Tiffany & Co.'s Edward C. Moore](
[Inspiring Design: The Book Collection of Tiffany & Co.'s Edward C. Moore](
JUST OPENED
Through October 22, 2024
The Met Fifth Avenue [Ink and Ivory: Indian Drawings and Photographs Selected with James Ivory](
[Ink and Ivory: Indian Drawings and Photographs Selected with James Ivory](
OPENING SOON
July 29, 2024–May 4, 2025
The Met Fifth Avenue
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[Manage Your Preferences]( | [Unsubscribe]( For more information on the exhibitions, including sponsorship credits, visit [The Harlem Renaissance and Transatlantic Modernism](, [Sleeping Beauties: Reawakening Fashion](, [Lineages: Korean Art at The Met](, [The Real Thing: Unpackaging Product Photography](, [Chinese Painting and Calligraphy: Selections from the Collection](, [Mary Sully: Native Modern](, [Inspiring Design: The Book Collection of Tiffany & Co.'s Edward C. Moore](, and [Ink and Ivory: Indian Drawings and Photographs Selected with James Ivory](. Season 2 of Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. "Blackbeats: Cubism Reimagined" is presented by the Leonard A. Lauder Research Center for Modern Art. Your support allows the Museum to collect, conserve, and present 5,000 years of world art. [Donate now.]( Comments are welcome at [metmuseum_newsletter@metmuseum.org](mailto:MetMuseum_Newsletter@metmuseum.org). Images: [Robe]( (detail), 1800–1942. Palestine. Linen, silk; embroidered, 51 1/2 x 53 1/2 in. (130.8 x 135.9 cm). The Metropolitan Museum of Art, New York, Gift of the Estate of Mr. and Mrs. F. J. Shepard, 1942 (C.I.42.176.1). Photo by Elena Kanagy-Loux | William H. Johnson (American, 1901–1970). Woman in Blue, c. 1943. Oil on burlap, 35 x 27 in. (88.9 x 68.6 cm). Clark Atlanta University Art Museum, Permanent Loan from the National Collection of Fine Art, 1969.013 | Jun Takahashi (Japanese, born 1969) for Undercover (Japanese, founded 1990). Dress, spring/summer 2024. Reinforced 3-D-printed clear resin containing purple silk plain-weave roses, green silk velvet leaves, and yellow and purple silk plain-weave butterflies overlaid with yellow nylon tulle and trimmed with yellow embossed leather. Courtesy Undercover. Photography © Nick Knight, 2024 | Marquee: Kwon Young-woo (1926–2013). Untitled, 1984. Ink and gouache on hanji (Korean paper), 88 3/16 x 66 15/16 in. (224 x 170 cm). Leeum Museum of Art, Seoul. © Kwon Young-woo Estate. Image courtesy of Leeum Museum of Art. | Murray Duitz (American, 1917–2010). A.S. Beck “Executive” Shoe, 1957. Gelatin silver print, 11 x 8 in. (27.94 x 20.32 cm). The Metropolitan Museum of Art, New York. Gift of the artist, 1975 (1975.601.2.1) | Unidentified Artist, Inscriptions on the Stone Drums (Eastern Zhou dynasty, 5th century B.C.). Set of rubbings in ten sections mounted as a pair of handscrolls; ink on paper, Image (scroll a): 16 1/2 × 257 1/4 in. (41.9 × 653.4 cm) Image (scroll b): 16 3/4 × 265 5/8 in. (42.5 × 674.7 cm) Overall with mounting (each) H. 17 3/4 in. (45.1 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Wan-go H. C. Weng, 1992 (1992.166.1a, b) | Mary Sully (Dakota, 1896–1963). Alice (detail), ca. 1920s–40s. The Metropolitan Museum of Art, New York, Purchase, Morris K. Jesup Fund and funds from various donors, 2023 | George Ward Nichols (1831-1885). Art Education Applied to Industry 1877, Harper & Brothers, publishers. United States, New York. Illustrated book, 211 pages, [1] leaf of plates, H. 24 cm. Thomas J. Watson Library (159 N52). | Buffaloes in Combat (detail), Attributed to Miskin, India, Mughal, late sixteenth century, Ink,watercolor, and gold on paper, Harris Brisbane Dick Fund, 1983 (1983.258)