The week's top arts stories in one newsletter, including the arrival of Heidi Schreck's "What the Constitution Means to Me," Sting's "The Last Ship," Gabriela Ruiz's surreal visions and a special a cappella group.
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Arts & Culture
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January 25, 2020
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Sting is at the Ahmanson. Heidi Schreckâs âWhat the Constitution Means to Meâ is at the Taper. Thereâs a surreal dreamscape on view at the Vincent Price. And the L.A. Phil is feeling plucky. Iâm Carolina A. Miranda, staff writer at the Los Angeles Times, with the weekâs essential culture news (and copycat government logos):
Essential Image
[Scott B. Davis, âDana Point, California,â 2006/10, at the Getty Museum]
âDana Point, California,â negative 2006/print 2010, by Scott B. Davis. (Scott B. Davis / J. Paul Getty Museum)
The Getty Museum is displaying [a trove of platinum prints from its collection]( â like this image by Scott B. Davis â that showcase the velvety nature of the platinum processing technique. On view through May 31.
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On the stage
Heidi Schreckâs âWhat the Constitution Means to Meâ landed at the Mark Taper Forum, and Charles McNulty begins his review âwith a strong plea to every man, woman and mature teenagerâ in L.A. to go see it. At a time, he writes, âwhen the Constitution is being assailed by those who have sworn an oath to defend it, this buoyant and often-stirring civics lesson is [the theatrical curriculum Americans desperately need](
McNulty also reports that Sarah Ruhlâs 2003 play âEurydiceâ is [being transformed into an opera]( in a co-production between Los Angeles Opera and the Metropolitan Opera in New York. The score is by Matthew Aucoin, and direction is by Tony winner Mary Zimmerman. âOf all my plays,â says Ruhl, ââEurydiceâ is the closest to poetry, where I started.â
[âEurydiceâ playwright Sarah Ruhl is a Pulitzer Prize finalist and MacArthur grant recipient.]
âEurydiceâ playwright Sarah Ruhl is a Pulitzer Prize finalist and MacArthur grant recipient. (Rick Loomis / For The Times)
Rogue Machine is staging Mike Bartlettâs 2010 drama âEarthquakes in London,â about a scientist who buries his climate research findings in exchange for funding from the airline industry. [The play catches him in a moment of reckoning]( as he comes to terms with his decision, as well as his three daughters. Philip Brandes reviews.
F. Kathleen Foley reviews Don Cummingsâ âThe Water Tribeâ and sheâs not a fan. âThereâs a crucial difference between hooking viewers and alienating them,â she writes. âDon Cummings crosses that line â early and often â in [his thematically confused play](
Ship shape
Bringing âThe Last Shipâ to the stage has not been easy for Sting, who created the musical, inspired partly by his childhood in a ship-building town in England. The pop star sat down with The Timesâ Jessica Gelt to [talk about the showâs evolution]( from Broadway to the Ahmanson Theatre â a shift that now centers the story more on its women.
Times theater critic Charles McNulty [reviews the show]( noting that Sting âpasses through the production with the rumbling chest, scratchy voice and hangdog look of his character.â But though the musical provides âample opportunity for singers to soar,â there is âsomething inorganic about the relationship between story and song. The musical sprawls rather than flows.â
[Sting at the Ahmanson Theatre]
Sting wrote and performs in âThe Last Ship,â about the seaside town where he grew up. (Mel Melcon / Los Angeles Times)
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In the galleries
I recently traveled to an ebullient taqueria in Panorama City to interview the ebullient Gabriela Ruiz, who currently has a show on view at the Vincent Price Art Museum. The installation consists of an acid green room studded with sculptural video pieces that are like [entering a surreal chamber of dreams](. âThis was like me opening my doors to you,â says Ruiz. âYou are walking into my brain and seeing what I see.â
[Gabriela Ruiz at Rincon Taurino in Panorama City.]
Gabriela Ruiz at Rincon Taurino in Panorama City. (Jason Armond / Los Angeles Times)
I helped push my out-of-gas taxi to a gas station near the border wall after seeing Irma SofÃa Poeterâs two-part retrospective, currently on view on [both sides of the U.S. and Mexico border](. This includes a survey at the Tijuana Cultural Center (CECUT) and a smaller installation at San Ysidro community art space the Front. The artist, who is Mexican and American, is best known for textile works that elevate common craft objects into something more meditative.
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Artist Matthew Barney has [a new film out]( and it appears that it is not full of poop. âRedoubtâ finds Barney scaling back, writes contributor Robert Abele, for âa relatively benign (in head-scratching matters), picturesque wilderness meditation that reimagines Ovidâs tale of Diana, goddess of the hunt, in Idahoâs staggeringly beautiful Sawtooth Mountains.â
Scarlet Cheng put on a pair of special booties to explore Oscar Oiwaâs âDreams of a Sleeping World,â [an immersive art installation]( at the USC Pacific Asia Museum that takes viewers into an 800-square-foot white nylon cocoon that is covered in a swirl of drawings.
[Oscar Oiwa stands inside his immersive installation âDreams of the Sleeping World.â]
Oscar Oiwa stands inside his immersive installation âDreams of the Sleeping World.â (USC Pacific Asia Museum)
[The artist list is out]( for the Hammer Museumâs âMade in L.A.â biennial, which this year will feature the Huntington Library as a partner. The show, reports The Timesâ Deborah Vankin, will be inspired by âentertainment, horror and the theater-film convention of the fourth wall.â
If you havenât made it to Washington, D.C., to see the portraits of Barack and Michelle Obama at the National Portrait Gallery, they will land at LACMA in late 2021. Vankin has [all the deets](.
Classical notes
Contributor Catherine Womack reports on Acabella, [an a cappella group for the blind]( that features the best female singers from Whittierâs Academy of Music for the Blind. This weekend, they will perform with the Pasadena Master Chorale. âWe donât all have the exact same voice or exact same style, but our voices come together into one,â says Dorothy Cho, 14.
[From left: Riya Golakiea, 12, Dorothy Cho, 14, Brianna Vieyra, 12, and Natalie Fuentes, 12, of Acabella.]
From left: Riya Golakiea, 12, Dorothy Cho, 14, Brianna Vieyra, 12, and Natalie Fuentes, 12, of Acabella. (Gina Ferazzi / Los Angeles Times)
Times classical music critic Mark Swed has been frequenting the L.A. Philâs recent [four-concert subscription series](. On two evenings it was âthrillingly lively and provocative French early musicâ while on another two, John Adams was on hand to conduct the ârock ânâ rollishâ premiere of Julia Wolfeâs âFlower Power.â âTogether they became amazingly relevant to discussions about the #MeToo movement,â he writes, âas well as imminent threats of military conflict and climate crises.â
The 1927 silent film âSunrise: A Song of Two Humansâ was a dreamlike story about marriage and temptation. Now the film can be seen â and heard â [courtesy of a new score]( by Emmy-winning composer Jeff Beal. Tim Greiving reports that it will screen at Disney Hall on Sunday with the L.A. Master Chorale and the Eric Whitacre Singers supplying the sound.
Everything dance
If youâve been following FKA twigs [on Instagram]( (recommended), youâll know that the singer has spent many months perfecting her pole-dancing technique. The Timesâ Makeda Easter finds out why â and [the ways in which the singer incorporates movement]( into her work.
[FKA Twigs performs at Camp Flog Gnaw festival at Dodger Stadium in November.]
FKA Twigs performs at Camp Flog Gnaw festival at Dodger Stadium in November. (Allen J. Schaben / Los Angeles Times)
Ready for the weekend
I round up all the art happenings [in my weekly Datebook]( including a show of Sandy Rodriguezâs new works at Charlie James Gallery.
And the indefatigable Matt Cooper has the [eight best things to do around L.A.]( this week, as well as the week ahead in [classical music]( [theater]( [dance]( and [museums]( â including a show of Metallica frontman James Hetfieldâs collection of classic cars at the Petersen. Duuuuude.
[A 1948 Jaguar âBlack Pearlâ featured in the 2020 exhibition âReclaimed Rust: The James Hetfield Collectionâ at the Petersen Automotive Museum.]
A 1948 Jaguar âBlack Pearlâ featured in the 2020 exhibition âReclaimed Rust: The James Hetfield Collectionâ at the Petersen Automotive Museum. (Ted Seven aka Ted7)
In other news
â How a stolen Nepalese deity ended up at [a museum in Dallas](.
â The Lamb of God in the Ghent Altarpiece has a new look â and [itâs freaking everyone out](.
â The SoCal Museums Free-for-All is this Saturday, with more than 40 institutions [waiving admission](.
â The second iteration of Frieze Los Angeles will include [an Asian-focused film series organized]( by curator Venus Lau.
â Speaking of film, the Lucas Museum has acquired the Separate Cinema Archive, [an important trove of black film history](.
â Wax on. Wax stage left. âThe Karate Kidâ musical is [in the works](.
â Frank Gehry talks to critic Justin Davidson about art, architecture, tech and giving [a Spanish reporter the finger](.
â âThe geography of Dallas is a geography of race.â Architecture critic Mark Lamster on why itâs time for Dallas to think big as it creates a memorial to victims of [racial violence](.
â Volunteers in Oakland are creating an [unapproved tiny home development]( on a traffic median.
â Must-read: [a fascinating story]( about art, power and inequity in Marfa, Texas.
And last but not least ...
The newly unveiled logo for U.S. Space Force [seems mighty familiar](.
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