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Stephen Edwin King (born September 21, 1947) is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", a play on his surname and a reference to his high standing in pop culture,[2] his books have sold more than 350 million copies,[3] and many have been adapted into films, television series, miniseries, and comic books. King has published 64 novels, including seven under the pen name Richard Bachman, and five non-fiction books.[4] He has also written approximately 200 short stories, most of which have been published in book collections.[5][6] King has received Bram Stoker Awards, World Fantasy Awards, and British Fantasy Society Awards. In 2003, the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters.[7] He has also received awards for his contribution to literature for his entire bibliography, such as the 2004 World Fantasy Award for Life Achievement and the 2007 Grand Master Award from the Mystery Writers of America.[8] In 2015, he was awarded with a National Medal of Arts from the U.S. National Endowment for the Arts for his contributions to literature.[9] Early life King was born in Portland, Maine, on September 21, 1947. His father, Donald Edwin King, a travelling vacuum salesman after returning from World War II,[10] was born in Indiana with the surname Pollock, changing it to King as an adult.[11][12][13] King's mother was Nellie Ruth King (née Pillsbury).[13] His parents were married in Scarborough, Maine on July 23, 1939.[14] Shortly afterwards, they lived with Donald's family in Chicago before moving to Croton-on-Hudson, New York.[15] King's parents returned to Maine towards the end of World War II, living in a modest house in Scarborough. When King was two, his father left the family. His mother raised him and his older brother David by herself, sometimes under great financial strain. They moved from Scarborough and depended on relatives in Chicago; Croton-on-Hudson; West De Pere, Wisconsin; Fort Wayne, Indiana; Malden, Massachusetts; and Stratford, Connecticut.[16][17] When King was 11, his family moved to Durham, Maine, where his mother cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged.[1] King was raised Methodist,[18][19] but lost his belief in organized religion while in high school. While no longer religious, he says he chooses to believe in the existence of God.[20] As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works,[21] but King makes no mention of it in his memoir On Writing (2000). He related in detail his primary inspiration for writing horror fiction in his non-fiction Danse Macabre (1981), in a chapter titled "An Annoying Autobiographical Pause". He compared his uncle's dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. That inspiration occurred while browsing through an attic with his elder brother, when King uncovered a paperback version of an H. P. Lovecraft collection of short stories he remembers as The Lurker in the Shadows, that had belonged to his father. King told Barnes & Noble Studios in a 2009 interview, "I knew that I'd found home when I read that book."[22] King attended Durham Elementary School and graduated from Lisbon Falls High School in Lisbon Falls, Maine, in 1966.[23] He displayed an early interest in horror as an avid reader of EC horror comics, including Tales from the Crypt, and he later paid tribute to the comics in his screenplay for Creepshow. He began writing for fun while in school, contributing articles to Dave's Rag, the newspaper his brother published with a mimeograph machine, and later began selling stories to his friends based on movies he had seen. (He was forced to return the profits when it was discovered by his teachers.) The first of his stories to be independently published was "I Was a Teenage Grave Robber", which was serialized over four issues (three published and one unpublished) of a fanzine, Comics Review, in 1965. It was republished the following year in revised form, as "In a Half-World of Terror", in another fanzine, Stories of Suspense, edited by Marv Wolfman.[24] As a teen, King also won a Scholastic Art and Writing Award.[25] King entered the University of Maine in 1966, and graduated in 1970 with a Bachelor of Arts in English.[26] That year, his daughter Naomi Rachel was born. He wrote a column, Steve King's Garbage Truck, for the student newspaper, The Maine Campus, and participated in a writing workshop organized by Burton Hatlen.[27] King held a variety of jobs to pay for his studies, including as a janitor, a gas-station attendant, and an industrial laundry worker. He met his wife, fellow student Tabitha Spruce, at the university's Raymond H. Fogler Library after one of Professor Hatlen's workshops; they wed in 1971.[27] Career Beginnings In 1971, King worked as a teacher at Hampden Academy King sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[1] After graduating from the University of Maine, King earned a certificate to teach high school but, unable to find a teaching post immediately, he supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories were republished in the collection Night Shift. The short story "The Raft" was published in Adam, a men's magazine. After being arrested for stealing traffic cones (he was annoyed after one of the cones knocked his muffler loose), he was fined $250 for petty larceny but had no money to pay. However, a check then arrived for "The Raft" (then titled "The Float"), and King cashed it to pay the fine.[28] In 1971, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[1] During 1966–1970, he wrote a draft about his dystopian novel called The Long Walk[29] and the anti-war novel Sword in the Darkness,[30][31] but neither of the works was published at the time; only The Long Walk was later released in 1979. Carrie and aftermath In 1973, King's novel, Carrie, was accepted by publishing house, Doubleday. It was King's fourth novel,[32] but the first to be published. He wrote it on his wife Tabitha's portable typewriter. It began as a short story intended for Cavalier magazine, but King tossed the first three pages in the garbage can.[33] Tabitha recovered the pages and encouraged him to finish the story, saying she would help him with the female perspective; he followed her advice and expanded it into a novel.[34] He said: "I persisted because I was dry and had no better ideas… My considered opinion was that I had written the world's all-time loser."[35] According to The Guardian, Carrie "is the story of Carrie White, a high-school student with latent—and then, as the novel progresses, developing—telekinetic powers. It's brutal in places, affecting in others (Carrie's relationship with her almost hysterically religious mother being a particularly damaged one), and gory in even more."[36] When Carrie was chosen for publication, King's phone was out of service. Doubleday editor William Thompson—who became King's close friend—sent a telegram to King's house in late March or early April 1973[37] which read: "Carrie Officially A Doubleday Book. $2,500 Advance Against Royalties. Congrats, Kid – The Future Lies Ahead, Bill."[38] King said he bought a new Ford Pinto with the advance.[37] On May 13, 1973, New American Library bought the paperback rights for $400,000, which—in accordance with King's contract with Doubleday—was split between them.[39][40] Carrie set King's career in motion and became a significant novel in the horror genre. In 1976, it was made into a successful horror film.[41] King's 'Salem's Lot was published in 1975. In a 1987 issue of The Highway Patrolman magazine, he said, "The story seems sort of down home to me. I have a special cold spot in my heart for it!"[42] After his mother's death, King and his family moved to Boulder, Colorado, where he wrote The Shining (published 1977). The family returned to Auburn, Maine in 1975, where he completed The Stand (published 1978). In 1977, the family, with the addition of Owen Philip, his third and youngest child, traveled briefly to England. They returned to Maine that fall, where King began teaching creative writing at the University of Maine.[43] In 1982, King published Different Seasons, a collection of four novellas with a more serious dramatic bent than the horror fiction for which he is famous.[44] It is notable for having three of its four novellas turned into Hollywood films: Stand by Me (1986) was adapted from The Body;[45] The Shawshank Redemption (1994) was adapted from Rita Hayworth and Shawshank Redemption;[46] and Apt Pupil (1998) was adapted from the novella of the same name.[47][48] In 1985, King wrote his first work for the comic book medium,[49] writing a few pages of the benefit X-Men comic book Heroes for Hope Starring the X-Men. The book, whose profits were donated to famine relief in Africa, was written by a number of different authors in the comic book field, such as Chris Claremont, Stan Lee, and Alan Moore, as well as authors not primarily associated with comics, such as Harlan Ellison.[50] The following year, King published It (1986), which was the best-selling hardcover novel in the United States that year,[51] and wrote the introduction to Batman No. 400, an anniversary issue where he expressed his preference for the character over Superman.[52][53] The Dark Tower books Main article: The Dark Tower (series) In the late 1970s, King began what became a series of interconnected stories about a lone gunslinger, Roland, who pursues the "Man in Black" in an alternate-reality universe that is a cross between J. R. R. Tolkien's Middle-earth and the American Wild West as depicted by Clint Eastwood and Sergio Leone in their spaghetti Westerns. The first of these stories, The Dark Tower: The Gunslinger, was initially published in five installments by The Magazine of Fantasy & Science Fiction under the editorship of Edward L. Ferman, from 1977 to 1981. The Gunslinger was continued as an eight-book epic series called The Dark Tower, whose books King wrote and published infrequently over four decades (1978-2012).[54] Pseudonyms In the late 1970s and early 1980s, King published a handful of short novels—Rage (1977), The Long Walk (1979), Roadwork (1981), The Running Man (1982) and Thinner (1984)—under the pseudonym Richard Bachman. The idea behind this was to test whether he could replicate his success again and to allay his fears that his popularity was an accident. An alternate explanation was that publishing standards at the time allowed only a single book a year.[55] He picked up the name from the Canadian hard rock band Bachman–Turner Overdrive, of which he is a fan.[56] Richard Bachman was exposed as King's pseudonym by a persistent Washington, D.C. bookstore clerk, Steve Brown, who noticed similarities between the works and later located publisher's records at the Library of Congress that named King as the author of one of Bachman's novels.[57] This led to a press release heralding Bachman's "death"—supposedly from "cancer of the pseudonym".[58] King dedicated his 1989 book The Dark Half, about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel Desperation was released, the companion novel The Regulators carried the "Bachman" byline. In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled Blaze. It was published on June 12, 2007. In fact, the original manuscript had been held at King's Alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King rewrote the original 1973 manuscript for its publication.[59] King has used other pseudonyms. The short story "The Fifth Quarter" was published under the pseudonym John Swithen (the name of a character in the novel Carrie), by Cavalier in April 1972.[60] The story was reprinted in King's collection Nightmares & Dreamscapes in 1993 under his own name. In the introduction to the Bachman novel Blaze, King claims, with tongue-in-cheek, that "Bachman" was the person using the Swithen pseudonym. The "children's book" Charlie the Choo-Choo: From the World of The Dark Tower was published in 2016 under the pseudonym Beryl Evans, who was portrayed by actress Allison Davies during a book signing at San Diego Comic-Con,[61] and illustrated by Ned Dameron. It is adapted from a fictional book central to the plot of King's previous novel The Dark Tower III: The Waste Lands.[62] Digital era Stephen King at the Harvard Book Store, June 6, 2005 In 2000, King published online a serialized horror novel, The Plant.[63] At first the public assumed that King had abandoned the project because sales were unsuccessful, but King later stated that he had simply run out of stories.[64] The unfinished epistolary novel is still available from King's official site, now free. Also in 2000, he wrote a digital novella, Riding the Bullet, and saying he foresaw e-books becoming 50% of the market "probably by 2013 and maybe by 2012". However, he also stated: "Here's the thing—people tire of the new toys quickly."[65] King wrote the first draft of the 2001 novel Dreamcatcher with a notebook and a Waterman fountain pen, which he called "the world's finest word processor".[66] In August 2003, King began writing a column on pop culture appearing in Entertainment Weekly, usually every third week. The column was called The Pop of King (a play on the nickname "The King of Pop" commonly attributed to Michael Jackson).[67] In 2006, King published an apocalyptic novel, Cell. The book features a sudden force in which every cell phone user turns into a mindless killer. King noted in the book's introduction that he does not use cell phones.[68][69] In 2008, King published both a novel, Duma Key, and a collection, Just After Sunset. The latter featured 13 short stories, including a previously unpublished novella, N. Starting July 28, 2008, N. was released as a serialized animated series to lead up to the release of Just After Sunset.[70] In 2009, King published Ur, a novella written exclusively for the launch of the second-generation Amazon Kindle and available only on Amazon.com, and Throttle, a novella co-written with his son Joe Hill and released later as an audiobook titled Road Rage, which included Richard Matheson's short story "Duel". King's novel Under the Dome was published on November 10 of that year; it is a reworking of an unfinished novel he tried writing twice in the late 1970s and early 1980s, and at 1,074 pages, it is the largest novel he has written since It (1986). Under the Dome debuted at No. 1 in The New York Times Bestseller List.[71] On February 16, 2010, King announced on his Web site that his next book would be a collection of four previously unpublished novellas called Full Dark, No Stars. In April of that year, King published Blockade Billy, an original novella issued first by independent small press Cemetery Dance Publications and later released in mass-market paperback by Simon & Schuster. The following month, DC Comics premiered American Vampire, a monthly comic book series written by King with short-story writer Scott Snyder, and illustrated by Rafael Albuquerque, which represents King's first original comics work.[72][73][74] King wrote the background history of the very first American vampire, Skinner Sweet, in the first five-issues story arc. Scott Snyder wrote the story of Pearl.[75] King's next novel, 11/22/63, was published November 8, 2011,[76][77] and was nominated for the 2012 World Fantasy Award Best Novel.[78] The eighth Dark Tower volume, The Wind Through the Keyhole, was published in 2012.[79] King's next book was Joyland, a novel about "an amusement-park serial killer", according to an article in The Sunday Times, published on April 8, 2012.[80] During his Chancellor's Speaker Series talk at University of Massachusetts Lowell on December 7, 2012, King indicated that he was writing a crime novel about a retired policeman being taunted by a murderer. With a working title Mr. Mercedes and inspired by a true event about a woman driving her car into a McDonald's restaurant, it was originally meant to be a short story just a few pages long.[81] In an interview with Parade, published on May 26, 2013, King confirmed that the novel was "more or less" completed[82] he published it in June 2014. Later, on June 20, 2013, while doing a video chat with fans as part of promoting the upcoming Under the Dome TV series, King mentioned he was halfway through writing his next novel, Revival,[83] which was released November 11, 2014.[84] King announced in June 2014 that Mr. Mercedes is part of a trilogy; the second book, Finders Keepers, was released on June 2, 2015. On April 22, 2015, it was revealed that King was working on the third book of the trilogy, End of Watch, which was ultimately released on June 7, 2016.[85][86] During a tour to promote End of Watch, King revealed that he had collaborated on a novel, set in a women's prison in West Virginia, with his son, Owen King, titled Sleeping Beauties.[87] In 2018, he released the novel The Outsider, which featured the character of Holly Gibney, and the novella Elevation. In 2019, he released the novel The Institute. In 2020, King released If It Bleeds, a collection of four previously unpublished novellas. In 2022, King released his latest novel, Fairy Tale. Collaborations Writings King has written two novels with horror novelist Peter Straub: The Talisman (1984) and a sequel, Black House (2001). King has indicated that he and Straub would likely write the third and concluding book in this series, the tale of Jack Sawyer,[citation needed] but after Straub passed away in 2022 the future of the series is in doubt. King produced an artist's book with designer Barbara Kruger, My Pretty Pony (1989), published in a limited edition of 250 by the Library Fellows of the Whitney Museum of American Art. Alfred A. Knopf released it in a general trade edition.[88] The Diary of Ellen Rimbauer: My Life at Rose Red (2001) was a paperback tie-in for the King-penned miniseries Rose Red (2002). Published under anonymous authorship, the book was written by Ridley Pearson. The novel is written in the form of a diary by Ellen Rimbauer, and annotated by the fictional professor of paranormal activity, Joyce Reardon. The novel also presents a fictional afterword by Ellen Rimbauer's grandson, Steven. Intended to be a promotional item rather than a stand-alone work, its popularity spawned a 2003 prequel television miniseries to Rose Red, titled The Diary of Ellen Rimbauer. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King. The novel tie-in idea was repeated on Stephen King's next project, the miniseries Kingdom Hospital. Richard Dooling, King's collaborator on Kingdom Hospital and writer of several episodes in the miniseries, published a fictional diary, The Journals of Eleanor Druse, in 2004. Eleanor Druse is a key character in Kingdom Hospital, much as Dr. Joyce Readon and Ellen Rimbauer are key characters in Rose Red.[citation needed] Throttle (2009), a novella written in collaboration with his son Joe Hill, appears in the anthology He Is Legend: Celebrating Richard Matheson.[89] Their second novella collaboration, In the Tall Grass (2012), was published in two parts in Esquire.[90][91] It was later released in e-book and audiobook formats, the latter read by Stephen Lang.[92] King and his son Owen King wrote the novel Sleeping Beauties, released in 2017, that is set in a women's prison.[93] King and Richard Chizmar collaborated to write Gwendy's Button Box (2017), a horror novella taking place in King's fictional town of Castle Rock.[94] A sequel titled Gwendy's Magic Feather (2019) was written solely by Chizmar.[95] In November 2020, Chizmar announced that he and King were writing a third installment in the series titled Gwendy's Final Task, this time as a full-length novel, to be released in February 2022.[96][97][98] Music In 1988, the band Blue Öyster Cult recorded an updated version of its 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.[99][100] The Blue Öyster Cult song "(Don't Fear) The Reaper" was also used in the King TV series The Stand.[101] King collaborated with Michael Jackson to create Ghosts (1996), a 40-minute musical video.[102] King states he was motivated to collaborate as he is "always interested in trying something new, and for (him), writing a minimusical would be new".[103] In 2005, King featured with a small spoken word part during the cover version of Everlong (by Foo Fighters) in Bronson Arroyo's album Covering the Bases, at the time, Arroyo was a pitcher for Major League Baseball team Boston Red Sox of whom King is a longtime fan.[104] In 2012, King collaborated with musician Shooter Jennings and his band Hierophant, providing the narration for their album, Black Ribbons.[105] King played guitar for the rock band Rock Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount, Jr., Matt Groening, Kathi Kamen Goldmark, Sam Barry, and Greg Iles. King and the other band members collaborated to release an e-book called Hard Listening: The Greatest Rock Band Ever (of Authors) Tells All (June 2013).[106][107] King wrote a musical entitled Ghost Brothers of Darkland County (2012) with musician John Mellencamp.[citation needed] Analysis Writing style and approach Stephen King in 2011 King's formula for learning to write well is: "Read and write four to six hours a day. If you cannot find the time for that, you can't expect to become a good writer." He sets out each day with a quota of 2000 words and will not stop writing until it is met. He also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented."[108] When asked why he writes, King responds: "The answer to that is fairly simple—there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."[109] He is also often asked why he writes such terrifying stories and he answers with another question: "Why do you assume I have a choice?"[110] King usually begins the story creation process by imagining a "what if" scenario, such as what would happen if a writer is kidnapped by a sadistic nurse in Colorado.[111] King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Paul Sheldon, who is the main character in Misery, adult Bill Denbrough in It, Ben Mears in 'Salem's Lot, and Jack Torrance in The Shining. He has extended this to breaking the fourth wall by including himself as a character in The Dark Tower series from The Dark Tower V: Wolves of the Calla onwards. In September 2009 it was announced he would serve as a writer for Fangoria.[112] Influences King has called Richard Matheson "the author who influenced me most as a writer".[113] In a current edition of Matheson's The Shrinking Man, King is quoted as saying, "A horror story if there ever was one...a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."[citation needed] Other acknowledged influences include H. P. Lovecraft,[114][115] Arthur Machen,[116] Ray Bradbury,[117] Joseph Payne Brennan,[118] Elmore Leonard,[119] John D. MacDonald, and Don Robertson.[120] King's The Shining is immersed in gothic influences, including "The Masque of the Red Death" by Edgar Allan Poe (which was directly influenced by the first gothic novel, Horace Walpole's The Castle of Otranto).[121] The Overlook Hotel acts as a replacement for the traditional gothic castle, and Jack Torrance is a tragic villain seeking redemption.[121] King's favorite books are (in order): The Golden Argosy; Adventures of Huckleberry Finn; The Satanic Verses; McTeague; Lord of the Flies; Bleak House; Nineteen Eighty-Four; The Raj Quartet; Light in August; and Blood Meridian.[122] Critical response Science fiction editors John Clute and Peter Nicholls[123] offer a largely favorable appraisal of King, noting his "pungent prose, sharp ear for dialogue, disarmingly laid-back, frank style, along with his passionately fierce denunciation of human stupidity and cruelty (especially to children) [all of which rank] him among the more distinguished 'popular' writers." In his book The Philosophy of Horror (1990), Noël Carroll discusses King's work as an exemplar of modern horror fiction. Analyzing both the narrative structure of King's fiction and King's non-fiction ruminations on the art and craft of writing, Carroll writes that for King, "the horror story is always a contest between the normal and the abnormal such that the normal is reinstated and, therefore, affirmed."[124] In his analysis of post–World War II horror fiction, The Modern Weird Tale (2001), critic S. T. Joshi devotes a chapter to King's work. Joshi argues that King's best-known works are his worst, describing them as mostly bloated, illogical, maudlin and prone to deus ex machina endings. Despite these criticisms, Joshi argues that since Gerald's Game (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written.[125] In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit".[126] In his short story collection A Century of Great Suspense Stories, editor Jeffery Deaver noted that King "singlehandedly made popular fiction grow up. While there were many good best-selling writers before him, King, more than anybody since John D. MacDonald, brought reality to genre novels. He has often remarked that 'Salem's Lot was "Peyton Place meets Dracula. And so it was. The rich characterization, the careful and caring social eye, the interplay of story line and character development announced that writers could take worn themes such as vampirism and make them fresh again. Before King, many popular writers found their efforts to make their books serious blue-penciled by their editors. 'Stuff like that gets in the way of the story,' they were told. Well, it's stuff like that that has made King so popular, and helped free the popular name from the shackles of simple genre writing. He is a master of masters."[127] In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters. Some in the literary community expressed disapproval of the award: Richard E. Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature" and critic Harold Bloom denounced the choice: The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.[128] Orson Scott Card responded: Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite.[129] In 2008, King's book On Writing was ranked 21st on Entertainment Weekly's list of "The New Classics: The 100 Best Reads from 1983 to 2008".[130] [See these 3 stocks now.]( The opportunity to buy these 3 stocks at their low prices is ending soon. [Click here to claim the report on these 3 buy-and-hold dividend stocks set to grow their payouts.]( [Tim Plaehn] Tim Plaehn Editor of The Dividend Hunter P.S. When you go see these 3 stocks, I also have a bonus report to share with you, The 36-Month Accelerated Income Plan to Pay Your Bills for Life. This is my #1 strategy to turn a small $25k stake into an income stream that pays your bills each month. [Go here to see this 2nd report.]( Cambridge (/ˈkeɪmbrɪdʒ/[4] KAYM-brij) is a city in Middlesex County, Massachusetts, in the United States. It is a suburb in the Greater Boston metropolitan area, located directly across the Charles River from Boston. The city's population as of the 2020 U.S. census was 118,403, making it the most populous city in the county, the 4th most populous city in the Commonwealth, behind Boston, Worcester, and Springfield, and ninth most populous city in New England.[5] It was named in honor of the University of Cambridge in England, which was an important center of the Puritan theology that was embraced by the town's founders.[6]: 18  Cambridge is known globally as home to two of the world's most prestigious universities. Harvard University, an Ivy League university founded in Cambridge in 1636, is the oldest institution of higher learning in the United States and has routinely been ranked as one of the best universities in the world. The Massachusetts Institute of Technology (MIT), founded in 1861, is also located in Cambridge and has been similarly ranked highly among the world's best universities.[7] Lesley University and Hult International Business School also are based in Cambridge.[8] Radcliffe College, an elite women's liberal arts college, also was based in Cambridge from its 1879 founding until its assimiliation into Harvard in 1999. Kendall Square, near MIT in the eastern part of Cambridge, has been called "the most innovative square mile on the planet" due to the high concentration of startup companies that have emerged there since 2010.[9] History For a chronological guide, see Timeline of Cambridge, Massachusetts. George Washington takes command of the Continental Army in Cambridge Square on July 3, 1775. Cambridge is considered the birthplace of the Continental Army, which went on to secure American independence by defeating the British in the American Revolutionary War. An 1873 map of Harvard Square An 1873 map of Cambridge An 1852 map of Greater Boston with regional rail lines and the course of Middlesex Canal (highlighted). Cambridge is near the bottom of the map (outlined in yellow) and should not be confused with the partly cropped West Cambridge (highlighted in pink), which is present-day Arlington, Massachusetts. Pre-colonization Massachusett Tribe inhabited the area that would become Cambridge for thousands of years prior to European colonization of the Americas, most recently under the name Anmoughcawgen.[10] At the time of European contact and exploration, the area was inhabited by Naumkeag or Pawtucket to the north and Massachusett to the south, and may have been inhabited by other groups such as the Totant not well described in later European narratives.[11] The contact period introduced a number of European infectious diseases which would decimate native populations in virgin soil epidemics, leaving the area uncontested upon the arrival of large groups of English settlers in 1630. 17th century and colonialism In December 1630, the site of present-day Cambridge was chosen for settlement because it was safely upriver from Boston Harbor, making it easily defensible from attacks by enemy ships. The city was founded by Thomas Dudley, his daughter Anne Bradstreet, and his son-in-law Simon Bradstreet. The first houses were built in the spring of 1631. The settlement was initially referred to as "the newe towne".[12][13] Official Massachusetts records show the name rendered as Newe Towne by 1632, and as Newtowne by 1638.[13][14] Located at the first convenient Charles River crossing west of Boston, Newtowne was one of several towns, including Boston, Dorchester, Watertown, and Weymouth, founded by the 700 original Puritan colonists of the Massachusetts Bay Colony under Governor John Winthrop. Its first preacher was Thomas Hooker, who led many of its original inhabitants west in 1636 to found Hartford and the Connecticut Colony; before leaving, they sold their plots to more recent immigrants from England.[12] The original village site is now within Harvard Square. The marketplace where farmers sold crops from surrounding towns at the edge of a salt marsh (since filled) remains within a small park at the corner of John F. Kennedy and Winthrop Streets. In 1636, Newe College, later renamed Harvard College after benefactor John Harvard, was founded as North America's first institution of higher learning. Its initial purpose was training ministers. According to Cotton Mather, Newtowne was chosen for the site of the college by the Great and General Court, then the legislature of Massachusetts Bay Colony, primarily for its proximity to the popular and highly respected Puritan preacher Thomas Shepard. In May 1638,[15] the settlement's name was changed to Cambridge in honor of the University of Cambridge in Cambridge, England.[12][16] In 1639, the Massachusetts General Court purchased the land that became present-day Cambridge from the Naumkeag Squaw Sachem of Mistick.[17][18] The town comprised a much larger area than the present city,[12] with various outlying parts becoming independent towns over the years: Cambridge Village (later Newtown and now Newton) in 1688,[19] Cambridge Farms (now Lexington) in 1712[12] or 1713,[20] and Little or South Cambridge (now Brighton)[a] and Menotomy or West Cambridge (now Arlington) in 1807.[12][21][b] In the late 19th century, various schemes for annexing Cambridge to Boston were pursued and rejected.[22] Newtowne's ministers, Hooker and Shepard, the college's first president, the college's major benefactor, and the first schoolmaster Nathaniel Eaton were all Cambridge alumni, as was the colony's governor John Winthrop. In 1629, Winthrop had led the signing of the founding document of the city of Boston, which was known as the Cambridge Agreement, after the university.[23] In 1650, Governor Thomas Dudley signed the charter creating the corporation that still governs Harvard College.[24] Cambridge grew slowly as an agricultural village eight miles (13 km) by road from Boston, the colony's capital. By the American Revolution, most residents lived near the Common and Harvard College, with most of the town comprising farms and estates. Most inhabitants were descendants of the original Puritan colonists, but there was also a small elite of Anglican "worthies" who were not involved in village life, made their livings from estates, investments, and trade, and lived in mansions along "the Road to Watertown", present-day Brattle Street, which is still known as Tory Row. 18th century and Revolutionary War Coming south from Virginia, George Washington took command of the force of Patriot soldiers camped on Cambridge Common on July 3, 1775, which is now considered the birthplace of the Continental Army.[12][c] On January 24, 1776, Henry Knox arrived with an artillery train captured from Fort Ticonderoga, which allowed Washington to force the British Army to evacuate Boston. Most of the Loyalist estates in Cambridge were confiscated after the Revolutionary War. 19th century and industrialization Between 1790 and 1840, Cambridge grew rapidly with the construction of West Boston Bridge in 1792 connecting Cambridge directly to Boston, making it no longer necessary to travel eight miles (13 km) through the Boston Neck, Roxbury, and Brookline to cross the Charles River. A second bridge, the Canal Bridge, opened in 1809 alongside the new Middlesex Canal. The new bridges and roads made what were formerly estates and marshland into prime industrial and residential districts. In the mid-19th century, Cambridge was the center of a literary revolution. It was home to some of the famous Fireside poets, named because their poems would often be read aloud by families in front of their evening fires. The Fireside poets, including Henry Wadsworth Longfellow, James Russell Lowell, and Oliver Wendell Holmes, were highly popular and influential in this era. Soon after, turnpikes were built: the Cambridge and Concord Turnpike (today's Broadway and Concord Ave.), the Middlesex Turnpike (Hampshire St. and Massachusetts Ave. northwest of Porter Square), and what are today's Cambridge, Main, and Harvard Streets connected various areas of Cambridge to the bridges. In addition, the town was connected to the Boston & Maine Railroad,[25] leading to the development of Porter Square as well as the creation of neighboring Somerville from the formerly rural parts of Charlestown. Cambridge was incorporated as a city in 1846.[12] The city's commercial center began to shift from Harvard Square to Central Square, which became the city's downtown around that time. Between 1850 and 1900, Cambridge took on much of its present character, featuring streetcar suburban development along the turnpikes and working class and industrial neighborhoods focused on East Cambridge, comfortable middle-class housing on the old Cambridgeport, and Mid-Cambridge estates and upper-class enclaves near Harvard University and on the minor hills. The arrival of the railroad in North Cambridge and Northwest Cambridge led to three changes: the development of massive brickyards and brickworks between Massachusetts Avenue, Concord Avenue, and Alewife Brook; the ice-cutting industry launched by Frederic Tudor on Fresh Pond; and the carving up of the last estates into residential subdivisions to house the thousands of immigrants who arrived to work in the new industries. For much of the 19th and early 20th centuries, the city's largest employer was the New England Glass Company, founded in 1818. By the middle of the 19th century, it was the world's largest and most modern glassworks. In 1888, Edward Drummond Libbey moved all production to Toledo, Ohio, where it continues today under the name Owens-Illinois. The company's flint glassware with heavy lead content is prized by antique glass collectors, and the Toledo Museum of Art has a large collection. The Museum of Fine Arts in Boston and the Sandwich Glass Museum on Cape Cod also house several pieces. In 1895, Edwin Ginn, founder of Ginn and Company, built the Athenaeum Press Building for his publishing textbook empire. 20th century By 1920, Cambridge was one of New England's main industrial cities, with nearly 120,000 residents. Among the largest businesses in Cambridge during the period of industrialization was Carter's Ink Company, whose neon sign long adorned the Charles River and which was for many years the world's largest ink manufacturer. Next door was the Athenaeum Press. Confectionery and snack manufacturers in the Cambridgeport-Area 4-Kendall corridor included Kennedy Biscuit Factory, later part of Nabisco and originator of the Fig Newton,[26] Necco, Squirrel Brands,[27] George Close Company (1861–1930s),[28] Page & Shaw, Daggett Chocolate (1892–1960s, recipes bought by Necco),[29] Fox Cross Company (1920–1980, originator of the Charleston Chew, and now part of Tootsie Roll Industries),[30] Kendall Confectionery Company, and James O. Welch (1927–1963, originator of Junior Mints, Sugar Daddies, Sugar Mamas, and Sugar Babies, now part of Tootsie Roll Industries).[31] Main Street was nicknamed "Confectioner's Row".[32] Only the Cambridge Brands subsidiary of Tootsie Roll Industries remains in town, still manufacturing Junior Mints in the old Welch factory on Main Street.[31] The Blake and Knowles Steam Pump Company (1886), the Kendall Boiler and Tank Company (1880, now in Chelmsford, Massachusetts), and the New England Glass Company (1818–1878) were among the industrial manufacturers in what are now Kendall Square and East Cambridge. In 1935, the Cambridge Housing Authority and the Public Works Administration demolished an integrated low-income tenement neighborhood with African Americans and European immigrants. In its place, it built the whites-only "Newtowne Court" public housing development and the adjoining, blacks-only "Washington Elms" project in 1940; the city required segregation in its other public housing projects as well.[33][34][35] As industry in New England began to decline during the Great Depression and after World War II, Cambridge lost much of its industrial base. It also began to become an intellectual, rather than an industrial, center. Harvard University, which had always been important as both a landowner and an institution, began to play a more dominant role in the city's life and culture. When Radcliffe College was established in 1879, the town became a mecca for some of the nation's most academically talented female students. MIT's move from Boston to Cambridge in 1916 reinforced Cambridge's status as an intellectual center of the United States. After the 1950s, the city's population began to decline slowly as families tended to be replaced by single people and young couples. In Cambridge Highlands, the technology company Bolt, Beranek, & Newman produced the first network router in 1969 and hosted the invention of computer-to-computer email in 1971. The 1980s brought a wave of high technology startups. Those selling advanced minicomputers were overtaken by the microcomputer.[citation needed] Cambridge-based VisiCorp made the first spreadsheet software for personal computers, VisiCalc, and helped propel the Apple II to consumer success. It was overtaken and purchased by Cambridge-based Lotus Development, maker of Lotus 1-2-3 (which was, in turn, replaced in by Microsoft Excel). The city continues to be home to many startups. Kendall Square was a software hub through the dot-com boom and today hosts offices of such technology companies as Google, Microsoft, and Amazon. The Square also now houses the headquarters of Akamai.[36] In 1976, Harvard's plans to start experiments with recombinant DNA led to a three-month moratorium and a citizen review panel. In the end, Cambridge decided to allow such experiments but passed safety regulations in 1977. This led to regulatory certainty and acceptance when Biogen opened a lab in 1982, in contrast to the hostility that caused the Genetic Institute, a Harvard spinoff, to abandon Somerville and Boston for Cambridge.[37] The biotech and pharmaceutical industries have since thrived in Cambridge, which now includes headquarters for Biogen and Genzyme; laboratories for Novartis, Teva, Takeda, Alnylam, Ironwood, Catabasis, Moderna Therapeutics, Editas Medicine; support companies such as Cytel; and many smaller companies. By the end of the 20th century, Cambridge had one of the most costly housing markets in the Northeastern United States.[38] While considerable class, race, and age diversity existed, it became more challenging for those who grew up in the city to afford to remain. The end of rent control in 1994 prompted many Cambridge renters to move to more affordable housing in Somerville and other Massachusetts cities and towns. 21st century Cambridge's mix of amenities and proximity to Boston kept housing prices relatively stable despite the bursting of the United States housing bubble in 2008 and 2009.[39] Cambridge has been a sanctuary city since 1985 and reaffirmed its status as such in 2006.[40] Geography A view from Boston of Harvard's Weld Boathouse and Cambridge in winter with Charles River in the foreground According to the U.S. Census Bureau, Cambridge has a total area of 7.1 square miles (18 km2), of which 6.4 square miles (17 km2) is land and 0.7 square miles (1.8 km2) (9.82%) is water. Adjacent municipalities Cambridge is located in eastern Massachusetts, bordered by: the city of Boston to the south and east (across the Charles River) the city of Somerville to the north the town of Arlington to the northwest the town of Belmont and the city of Watertown to the west The border between Cambridge and the neighboring city of Somerville passes through densely populated neighborhoods, which are connected by the MBTA Red Line. Some of the main squares, Inman, Porter, and to a lesser extent, Harvard and Lechmere, are very close to the city line, as are Somerville's Union and Davis Squares. Through the City of Cambridge's exclusive municipal water system, the city further controls two exclave areas, one being Payson Park Reservoir and Gatehouse, a 2009 listed American Water Landmark located roughly one mile west of Fresh Pond and surrounded by the town of Belmont. The second area is the larger Hobbs Brook and Stony Brook watersheds, which share borders with neighboring towns and cities including Lexington, Lincoln, Waltham and Weston. Neighborhoods This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (March 2016) (Learn how and when to remove this template message) Squares Cambridge has been called the "City of Squares",[41] as most of its commercial districts are major street intersections known as squares. Each square acts as a neighborhood center. Kendall Square, formed by the junction of Broadway, Main Street, and Third Street, has been called "the most innovative square mile on the planet", owing to its high concentration of entrepreneurial start-ups and quality of innovation which have emerged in the vicinity of the square since 2010.[9][42] Technology Square is an office and laboratory building cluster in this neighborhood. Just over the Longfellow Bridge from Boston, at the eastern end of the MIT campus, it is served by the Kendall/MIT station on the MBTA Red Line subway. Most of Cambridge's large office towers are located in the Square. A biotech industry has developed in this area. The Cambridge Innovation Center, a large co-working space, is in Kendall Square at 1 Broadway. The Cambridge Center office complex is in Kendall Square, and not at the actual center of Cambridge. The "One Kendall Square" complex is nearby, but not actually in Kendall Square. Central Square is formed by the junction of Massachusetts Avenue, Prospect Street, and Western Avenue.[43]: 1  Containing a variety of ethnic restaurants, it was economically depressed as recently as the late 1990s; it underwent gentrification in recent years (in conjunction with the development of the nearby University Park at MIT), and continues to grow more costly.[44] It is served by the Central Station stop on the MBTA Red Line subway.[43]: 1–2  Lafayette Square, formed by the junction of Massachusetts Avenue, Columbia Street, Sidney Street, and Main Street, is considered part of the Central Square area. Cambridgeport is south of Central Square, and bordered by MIT, the Charles River, Massachusetts Avenue, and River Street.[45] Harvard Square is formed by the junction of Massachusetts Avenue, Brattle Street, Dunster Street, and JFK Street.[46] This is the primary site of Harvard University and a major Cambridge shopping area.[46] It is served by a Red Line station.[47] Harvard Square was originally the Red Line's northwestern terminus and a major transfer point to streetcars that also operated in a short tunnel—which is still a major bus terminal, although the area under the Square was reconfigured dramatically in the 1980s when the Red Line was extended.[48] A short distance away from the square lies the Cambridge Common, while the neighborhood north of Harvard and east of Massachusetts Avenue is known as {NAME}, in honor of the first Black principal of Cambridge public schools, Maria L. {NAME}. It was renamed "{NAME}" in 2021, and so some know the area better by its former name, Agassiz, after the famed scientist Louis Agassiz.[49][50][51] Porter Square is about a mile north on Massachusetts Avenue from Harvard Square, at the junction of Massachusetts and Somerville Avenues.[52] It includes part of the city of Somerville[53] and is served by the Porter Square Station, a complex housing a Red Line stop and a Fitchburg Line commuter rail stop.[54] Lesley University's University Hall and Porter campus are in Porter Square.[53] Inman Square is at the junction of Cambridge and Hampshire streets in mid-Cambridge.[55] It is home to restaurants, bars, music venues, and boutiques.[55] Victorian streetlights, benches, and bus stops were added to the streets in the 2000s, and a new city park was installed.[citation needed] Lechmere Square is at the junction of Cambridge and First streets, adjacent to the CambridgeSide Galleria shopping mall. 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