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The Best Movies of 2024 (So Far)

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Sun, Jun 9, 2024 02:06 PM

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Box office be damned, we saw some stellar new films in May. [The 26 Best Movies of 2024 ] The 26 Bes

Box office be damned, we saw some stellar new films in May. [View in Browser]( [Esquire Sunday Reads]( [The 26 Best Movies of 2024 (So Far)]( The 26 Best Movies of 2024 (So Far) Why isn’t anyone going to the movies? That’s the big question coming out of Hollywood right now, following a dismal May and the worst adjusted Memorial Day weekend at the box office in nearly three decades. The most disappointing new release was George Miller’s latest installment in the Mad Max franchise, Furiosa: A Mad Max Saga. The film debuted with a $32 million opening weekend, far below projections (and what it needs to recoup its $168 million budget). What’s unnerving isn’t that an expected blockbuster is underperforming but rather that an expected blockbuster as good—and downright entertaining—as Furiosa fell short. The film is a blast, it’s built from revered IP, and it sports two big stars (Anya Taylor-Joy and Chris Hemsworth). So what gives? Frankly, I don’t have an answer. What I do know is, box office be damned, 2024 is shaping up to be a pretty solid year for new releases. In addition to Furiosa, we got an ideal movie to watch with the whole family (Hit Man), a thrillingly scrappy teen road journey (Gasoline Rainbow), and a quietly staggering meditation on humanity’s relationship to the natural world (Evil Does Not Exist). Here are the best movies of the year so far. [Read the Full Story]( [MORE FROM ESQUIRE]( [The Last Gay Erotica Store]( The Last Gay Erotica Store By the cash register at AutoErotica in San Francisco’s historic Castro gayborhood, a little sign sticks out from a plastic container of Ferrero Rocher chocolates. Have One, it reads, written in pink marker. You’d expect to see the chocolates when visiting your favorite uncle, not in a store packed with so many male bodies on display. The gold foil wrappers gleam against a framed 1970s ad for poppers—a white bottle blasting off through space—and a 1978 poster for a Chicago bathhouse bash. 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There are a million brands that make a million travel-hack products that will all end up in a landfill pretty soon. You know what I actually need while traveling? A bag—sometimes a suitcase—and a Dopp kit. I want all three of those things to last me as long as possible. About a year ago, after a few years of searching, I found this Lucchese Dopp kit that looks like it’ll go to the grave with me. [Read the Full Story]( [Is Summer Game Fest the Best Thing to Happen to Gaming—or the Worst?]( Is Summer Game Fest the Best Thing to Happen to Gaming—or the Worst? For the video game industry, Summer Game Fest has quickly become a combination of San Diego Comic-Con and the (now defunct) Electronic Entertainment Expo (E3): the single most important place for gamers to watch new trailers and for studios to show off their wares. With $180 billion in video game revenue last year according to Newzoo—more than global box-office and music sales combined—Summer Game Fest is arguably one of the two most important pop-culture events of the year now, alongside its sister event in December, the Game Awards, which has started drawing more viewers than the Academy Awards. But unlike Comic-Con or E3, Summer Game Fest and the Game Awards are owned, operated, and hosted by one person: Geoff Keighley, a 45-year-old Canadian journalist and Muppet enthusiast with a penchant for tailored dinner jackets. While most people in the industry believe Keighley’s twin events are a force for good, others have raised concerns about Summer Game Fest and the Game Awards’ high entry fees, opaqueness, and celebritization, as well as Keighley’s silence on issues that have impacted game workers, like the mass layoffs that have decimated studios in 2023 and 2024. Before this year's Summer Game Fest, I asked more than a dozen video game professionals for their unfiltered opinions on Summer Game Fest, including what they’d like to see changed. [Read the Full Story]( [Ewan Mitchell and Tom Glynn-Carney Are Ready for the Throne]( Ewan Mitchell and Tom Glynn-Carney Are Ready for the Throne The two onscreen siblings are in town from England for a weekend of early House of the Dragon promotion. They’re taking over leading-men duties for the HBO series, which is a Succession-esque tale focused on the Targaryen family, told nearly two hundred years before the events of Game of Thrones. (Glynn-Carney: “Not that it needs any advertising at all, but Game of Thrones is fucking amazing.”) Season 1 of House of the Dragon largely followed younger versions of their characters (played by different actors), the never-not-bickering brothers Aegon and Aemond. The final three episodes reintroduced the siblings at ages 21 and 18, respectively: Aegon (Glynn-Carney), the reluctant misfit chosen to sit on the Iron Throne, and Aemond (Mitchell), the cunning younger brother who wants to usurp him. “In the last three episodes of season 1, I presented a character that was entirely black,” says Mitchell. “In season 2, I can’t wait to turn him gray.” And Aegon? “He comes into his own as an unpredictable live wire,” says Glynn-Carney. “He’s intensely ambitious and incapable of pursuing the things he sets for himself.” [Read the Full Story]( [I Am a Wellness Asshole Now]( I Am a Wellness Asshole Now To be a middle-aged man in southern California is to find yourself saying, with alarming frequency, “Yeah, I’m one of those assholes now.” If you’ve come from somewhere else—somewhere more corn-fed and homespun and other synonyms for unhealthy—you may adopt a wholesome habit out here. 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