Newsletter Subject

Going Once No. 406 | Jeff Koons’s Balloon Monkey (Blue)

From

christies.com

Email Address

christies@emails.christies.com

Sent On

Sat, Oct 5, 2024 02:38 PM

Email Preheader Text

Jeff Koons’s Balloon Monkey , François-Xavier Lalanne, Eduardo Chillida, Contemporary self-p

Jeff Koons’s Balloon Monkey (Blue), François-Xavier Lalanne, Eduardo Chillida, Contemporary self-portraits, Enam Gbewonyo, Blue: Art for the Ocean, and more͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­͏  ­ [Christie's]( [Christie's]( [Going Once] [Going Once] 05 Oct 2024 This week’s stories Why Koons’s ‘inflatables’ are the art world’s most wanted [ ]( As Balloon Monkey (Blue) is offered in London, we take a look at why this series of artworks has repeatedly smashed auction records [READ MORE]( [ ]( How François-Xavier Lalanne sculpted his coveted menagerie of owls, ostriches, donkeys — and a rather famous rhinoceros [READ MORE]( [ ]( Discover Eduardo Chillida’s Locmariaquer VII: inspired by Brittany’s ancient past, formed from a single sheet of iron [READ MORE]( [ ]( Meet Enam Gbewonyo, founder of the Black British Female Artist collective: ‘I still think there is a long way to go’ [READ MORE]( [ ]( Self-portraits made in the UK: why the likes of Jenny Saville and Antony Gormley espouse one of art history’s oldest forms [READ MORE]( [ ]( ‘These are artists that I love — I want people to find an emotional connection with their art’: Dazed co-founder Jefferson Hack on curating photographs to be sold in aid of Blue Marine Foundation [READ MORE]( [MORE STORIES]( --------------------------------------------------------------- Editor’s picks [ ]( The title of this 1898 work by Joaquín Sorolla, [Esperando]( means ‘waiting’. Given the harbourside setting, the woman in the picture may well be looking out for someone who is at sea — a classic subject of maritime art. In any case, Sorolla’s skill as a colourist is evident in his handling of her costume and the shimmering water Estimate: $400,000-600,000 9 October , New York [VIEW LOT]( [ ]( The [Hand and Foot Table]( by Pedro Friedeberg, would make a fine companion piece to the Mexican Surrealist’s most famous work, the ‘Hand-Chair’, in which you sit on the palm and lean back against the fingers. Sculpted hands hold the tabletop in place, while five sturdy feet (one signed by the artist) provide solid support below Estimate: $10,000-15,000 until 8 October , Online [VIEW LOT]( [ ]( The Danish artist Vilhelm Hammershøi painted this [summer landscape]( in 1895. Showing a wooded hill by Farum Lake, in the countryside north-west of Copenhagen, the work is enlivened by the intriguing technique of depicting the nearby trees as a blur of green, while those furthest away are rendered in much greater detail Estimate: £500,000-700,000 9 October , London [VIEW LOT]( [ ]( [Peacock and Poppies]( was painted by Jessie Arms Botke, who first discovered white peacocks when she was asked to include them in a decorative scheme for the home of film star Billie Burke (the good witch from The Wizard of Oz). She duly went to see one at the Bronx Zoo, later saying: ‘It was love at first sight and has been ever since’ Estimate: $20,000-30,000 until 18 October , Online [VIEW LOT]( [BROWSE ALL]( --------------------------------------------------------------- What’s on On view now | New York [François-Xavier Lalanne, Sculpteur | Collection Dorothée Lalanne, until 10 October ]( --------------------------------------------------------------- Private selling exhibition | New York [Iconic Handbags, until 14 October ]( --------------------------------------------------------------- Open for bidding | Online [Fine and Rare Wines Online: LA Edition, until 16 October ]( --------------------------------------------------------------- Spotlight on [ ]( • [How to hang art, salon-style]( mixing media and frames, working out your grid, and why ‘volume is key — you can’t pull it off with only a few pieces’ • The [German Expressionists]( how two groups of artists — Die Brücke and Der Blaue Reiter — crossed boundaries to confront a society in need of salvation • Collector Tiqui Atencio Demirdjian on ‘what it meant to spend one’s life surrounded by and devoted to art’ in her new book, [Inside the Homes of Artists]( --------------------------------------------------------------- In the Frame: Simon Porte Jacquemus [ ]( From Van Gogh to Cocteau, French fashion designer Simon Porte Jacquemus finds moments of awe far and wide. Busy with opening a new store in New York’s SoHo, he has been appointed Chevalier de l’Ordre des Arts et des Lettres, and recently designed the scenography for [François-Xavier Lalanne, Sculpteur | Collection Dorothée Lalanne]( on view at Christie’s in New York until 10 October . What artists are you watching right now? SPJ: I’ve been recently really into the work of Leon Golub, and always Tarsila do Amaral, Louis Fratino and Peter Schlesinger. Your favourite view anywhere in the world? SPJ: My bedroom view, in the town where I was born, in the south of France in Mallemort. What inspired you in creating the François-Xavier Lalanne exhibition? SPJ: Returning to Lalanne’s house, I wanted to create stories that blend poetry with unexpected twists — like an art sale in the heart of Manhattan with a wheat field, or a child’s bed draped in a silver leather blanket — combining elements that wouldn’t usually go together. [READ INTERVIEW]( [ ]( Anytime, Anywhere [Private Sales: Our best kept secret]( ART AND LUXURY, READY TO TAKE HOME [BUY NOW]( [ ]( Events & Exhibitions [1-54 Contemporary African Art Fair]( London, 10-13 October [FIND OUT MORE]( [Upcoming auctions]( [Plan your visit]( [How to buy]( [How to sell]( [Christie's]( --------------------------------------------------------------- Follow us [INSTAGRAM]( | [FACEBOOK]( | [YOUTUBE]( | [WECHAT]( [© CHRISTIE'S 2024](@@@christies_com@@@) [Web version]( | [Privacy policy]( | [Unsubscribe]( Jeff Koons (b. 1955), Balloon Monkey (Blue), 2006-13. Mirror-polished stainless steel with transparent colour coating. This work is one of five unique versions (Red, Yellow, Blue, Magenta, Orange). 150 x 126 x 235 in (381 x 320 x 596.9 cm). Estimate: £6,500,000-10,000,000. Offered in the 20th/21st Century: London Evening Sale on 9 October 2024 at Christie’s in London. Artwork: © Jeff Koons // François-Xavier Lalanne in his atelier with Loulou, Ury, 2000s. Photo: © Capucine de Chabaneix. Artwork: Les Lalanne © 2024 Artist Rights Society (ARS), New York, NY/ ADAGP, Paris, France // Eduardo Chillida (1924-2002), Locmariaquer VII, 1989. Iron. 40 x 27½ x 21⅝ in (101.6 x 70 x 55 cm). Estimate: £1,000,000-1,500,000. Offered in the 20th/21st Century: London Evening Sale on 9 October 2024 at Christie’s in London. Artwork: © Zabalaga-Leku, DACS, London 2024 // Enam Gbewonyo with her works (from left) Dellu Costume — Plant (Xob), 2023, Suuf (Earth) Altar I, 2023, and Dellu Costume — Red Earth (Suuf), 2022. Photo: © Amoroso Films // Jenny Saville (b. 1970), Self-Portrait, 1992 (detail). Charcoal on paper. 28⅞ x 22 in (76 x 56 cm). Estimate: £200,000-300,000. Offered in the 20th/21st Century: London Evening Sale on 9 October 2024 at Christie’s in London. Artwork: © Jenny Saville, DACS 2024 // Jamie Hawkesworth (b. 1987), Water Island, 2024 (detail). C-print. This work is number one from an edition of 10. Image: 10⅛ x 12½ in (25.6 x 31.6 cm). Sheet: 12 x 16 in (30.5 x 40.6 cm). Estimate: £1,500-2,000. Offered in Post-War and Contemporary Art Online until 15 October 2024 // A selection of works offered in American Atmosphere: An Important Private Collection until 18 October 2024 at Christie’s Online // François-Xavier Lalanne (1927-2008), L’Oie, 1993. Patinated bronze. 35⅞ x 18⅛ x 28¾ in (91 x 46 x 73 cm). Monogrammed fxl, stamped LALANNE, dated 93 and numbered 1⁄1 D. Estimate: $100,000-150,000. Offered in François-Xavier Lalanne, Sculpteur | Collection Dorothée Lalanne on 10 October 2024 at Christie’s in New York. Artwork: Les Lalanne © 2024 Artist Rights Society (ARS), New York, NY/ ADAGP, Paris, France // Simon Porte Jacquemus with works offered in François-Xavier Lalanne, Sculpteur | Collection Dorothée Lalanne on 10 October 2024 at Christie’s in New York. Artwork: Les Lalanne © 2024 Artist Rights Society (ARS), New York, NY/ ADAGP, Paris, France

Marketing emails from christies.com

View More
Sent On

08/10/2024

Sent On

02/10/2024

Sent On

28/09/2024

Sent On

24/09/2024

Sent On

21/09/2024

Sent On

20/09/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.