Newsletter Subject

Content creation secret of a forbidden speech

From

bensettle.com

Email Address

ben@bensettle.com

Sent On

Tue, Nov 23, 2021 12:07 PM

Email Preheader Text

Not a speech by a great world leader. Or a speech by one of those two or three politicians capable o

Not a speech by a great world leader. Or a speech by one of those two or three politicians capable of such. Or one given by any business man or woman. No, the speech I am referring to is the one given by the character Dennis Hopper played in the movie “True Romance” before he’s shot in the head point blank. Fact is, when Quentin Tarantino was still shopping his Reservoir Dogs script around, he had also written the scripts for True Romance and Natural Born Killers. And his scripts routinely got rejected over and over and over by what seemed like everyone. Quentin got one rejection letter for True Romance saying: “How dare you send me this fucking piece of shit. Are you out of your fucking mind” The reason? Probably the notorious speech Dennis Hopper’s character gave about the Moors. (That he gave just to piss off the Sicilian mafia guy about to kill him.) I seriously doubt that “forbidden” speech would make it into any mainstream movie in today’s climate especially. Frankly, it barely even made it into that movie in 1993. But Tarantino must have convinced the powers that be of it somehow. Probably by talking about how he heard the whole story in the speech practically verbatim from one of his mom’s black boyfriends when he was a kid. Maybe he embellished and maybe he didn’t. But I do remember watching it with a chick I was dating shortly before I met Stefania, and she was literally squirming in her seat watching that one scene, and all but wanted to run out of the room. That’s simply the kind of reaction that movie gets: People either love or hate it, with very few luke warm reactions. Which brings me back to the lesson: Nobody wanted to touch that script until it landed on Tony Scott’s desk. i.e., the guy who directed Top Gun amongst many other blockbuster movies. He read both the True Romance and Reservoir Dogs scripts back-to-back in a single sitting. And he wanted to direct them both. But he ended up only directing True Romance and the rest is history. Point of all this: When it comes to creating content, if you aren’t getting at least some kind of reaction where someone is freaking out over what you wrote/said/recorded you probably ain’t doing it right. Not saying to write about things that will get you cancelled or run out of town necessarily. And I am not saying to lie or mislead or deceive. And there’s no guarantees of anything. True Romance was basically a box office bomb, but it did help put Tarantino and many of its actors like Samuel Jackson, Brad Pitt, Gary Oldman, etc on a lot of big “maps” in the industry. So in that sense, it was worth a helluva lot. What I am saying is your ideas should be dramatic. They should be bold. And they should be filled with passion. Absolutely nobody notices luke warm. But they will notice scalding hot. This is especially true with selling high-ticket content you want to sell for hundreds or even thousands of dollars. The more outrageous your ideas, the more engagement your content should get. The more engagement it gets, the more likely it’ll be consumed. The more of it that gets consumed, the more it will likely be applied. The more it is applied, the more customers should benefit. The more customer benefit, the more your business’ box office gross grows. When creating such content it is not the time to be meek. You gotta go out swinging for the fences. And if you do take something too far? The market will let you know. But I can say this: I’ve collectively written several thousands of pages of content in the many high-ticket books I sell. And in some cases, I push pretty hard with this. But I still am not pushing hard enough. If I was, I’d get more complaints. Something I intend to fix in my next book about how I use design in my direct response-driven business. Whether I will succeed at finally getting some complaint mail about it from customers has yet to be seen. But I am pushing certain ideas in it I know will piss off the hardcore direct response marketing crowd who can’t make a decision without consulting Google docs, their Facebook friends, or their horoscope, if nothing else. In the meantime: The December “Email Players” issue talks a lot about creating content. Specifically, 7 ways to help create the high-ticket kind. The kind of content you can charge 100’s or possibly even 1000s or tens of 1000’s for. To subscribe before the deadline, go here: [https∶//www.EmailPlayers.com]( Ben Settle P.S. To celebrate the Email Players Newsletter’s 125th issue next month, I’m also including an extremely valuable bonus: “Email Players Annual #1: Age of Swipeocalypse” This bonus Annual issue I am including with the December issue exists outside the normal continuity of the newsletter. And I mostly wrote it to commemorate the newsletter’s 10-year anniversary this year (it launched in 2011), and say some things I’ve been wanting to say about swiping ever since, but never found the right “slot” to teach it in. Here are just a few of the secrets inside: * Word-for-word examples showing exactly how to swipe without breaking any copyright laws, being an unethical loser, or outright stealing. * A secret technique that can help even slow writers (literally) write high converting emails in as little as 4 minutes. * A cunning way invented 60+ years ago by a brilliant and cranky “Mad Man” era copywriter (not 1 in 1,000 copywriters have probably ever heard of) to sometimes help create near-perfect sales letter headlines. * A one sentence power lesson in how the late, great A-list copywriter Jim Rutz used his swipe file to knock out industry-changing winning controls time and time and time again. * A secret place where all the best email swipe files I've ever seen are contained. * A real-life case study showing why blindly following “what’s working now!” can get you a pittance of the response you could be getting at best… or viciously killing your response at worst. (If I could go back 20 years and learn just ONE tip about copywriting, and nothing else, this would be it. It’s that powerful, that profound, and that profitable.) * Why swiping one of the single greatest copywriters today (ironically a guy all the fanboys love stealing from) could destroy your response in a heartbeat! * What two of the highest paid & most successful A-list copywriters on the planet both admitted to me about swiping that would probably put all the copywriting template sellers out of business overnight. (Hint: one of these great men of copywriting said when he got into the game in the early nineties, and found out who Gary Bencivenga was, he would study Gary’s ads and actually try to copy the exact number of paragraphs between sales arguments and that sort of thing… only to realize that wasn’t the way to do it. There’s a much better way instead, that’s revealed inside.) * 6 attributes of an email subject line people have almost no choice but to notice and open. * How to “coax” your clients into writing the sales copy they are paying you to write… and being perfectly happy doing so. * The big difference between how all the A-list copywriters I’ve known & talked to approach swiping vs how the normie copywriters in all those Facebook groups you haunt all day approach swiping. * An old school “retro” website I go to whenever I am stuck for subject line ideas and phrases. (Just click on this site and you’ll probably have all the email subject line ideas, inspiration, and discoveries you can ask for.) * A swipe file of email subject lines you can plunder from one of the greatest copywriting minds who ever lived. * A quickie "crash course" on how to use a swipe file straight from one of the single best A-list direct mail copywriters in the game. * And so on, and so forth. This bonus makes this 125th issue a good “jumping on” point for those new to my list. But, not if you are a lazy bum copywriter. If that is you, then you are simply too short for this ride and will be grossly disappointed by what is inside. My way of swiping is 100% opposite of all the ways you are hearing it taught, is not at-all “cool”, and requires quite a bit of work to pull off. Neither the December issue about creating high-ticket content or the bonus Swipeocalypse Annual issue will do a single blessed thing to help the carpet drooling newbie who buys everything and does nothing, and has no sense of commitment or long term thinking. All right enough. To subscribe in time to get in on all this, high-tail it over to the URL below: [https∶//www.EmailPlayers.com]( This email was sent by Ben Settle as owner of Settle, LLC. Copyright © 2021 Settle, LLC. All Rights Reserved. No part of this email may be reproduced or transmitted in any form or by any means without written permission from Settle, LLC. Click here to [unsubscribe]( Settle, LLC PO Box 1056 Gold Beach Oregon 97444 USA

Marketing emails from bensettle.com

View More
Sent On

28/06/2024

Sent On

28/06/2024

Sent On

27/06/2024

Sent On

27/06/2024

Sent On

26/06/2024

Sent On

26/06/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.