Photographing protest, labour rights and communitiesâ¦
â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â Work Issue #7919 Our Work issue is here! It takes up most of our waking hours and yet itâs seldom depicted. This new edition of BJP explores the topic from multiple angles: How do photographers make a living? Which curators are preserving our 20th-century industrial history? And how does medical, agricultural and labour imagery operate in both professional and artistic spheres? [PURCHASE YOUR COPY]( Among the latest projects, we meet the treehouse residents of Daniel Chatardâs images of those living in the makeshift treetop dwellings, working to save nearby homes and forests. Before heading to the West Bank to meet the stranded Palestinians from Gaza who are blocked from earning a wage. And we traipse Via Quarti, a street in Milan home to working class families from Southern Italy, North Africa and Eastern Europe in Chiara Calgaroâs series. We hear from artists such as Kadir van Lohuizen and Christina Fernandez among our other in-depth artist features, and we learn about maintaining archives of work from the Martin Parr Foundationâs Isaac Blease, Fondazione MASTâs Urs Stahel, and Luciano Zuccaccia, whose Protest in Photobook library exceeds 700 anti-establishment volumes. On our bookshelf, we flick through The Last Safe Abortion by Carmen Winant and we look at selfies taken during the 1860s in Cartomania by Paul Frecker. We sit down with Marseille-based publishers Loose Joints, learning where they took their name and how they go about publishing photo books by todayâs most cutting-edge artists. And we hear from Zula Rabikowska on why sheâs deconstructing stereotypes around the âEastern Europeanâ identity by examining several photographers from her native region. As ever, our writers preview this seasonâs most important institutional shows, including Tate Britainâs huge survey of â80s photography in Britain, while we also count down to Paris Photo and spend a lazy afternoon with Jenny Matthews in east London. Our cover is an iconic shot by John Sturrock from our feature on photographing the Minersâ Strike of the â80s. Depicting a mass picket confronting police lines in Bilston Glen, Scotland, in 1984, Sturrock tells BJP, âI was just very lucky to be in the middle and to get that shot,â highlighting one of several approaches to capturing the key event in British industrial history.â  Brenda Prince was one of the photographers on the ground, and her pictures of womenâs action groups involved with the strikes appear in BJPâs forthcoming Work magazine. Protest and social history are big themes of this issue, in which we dive into the London School of Economicsâ research visualising wealth inequality and trace anti-establishment photo books from across the globe. All this alongside our usual emerging artist Projects, Studio Visit and Any Answers features. If youâre a BJP Print & Digital subscriber or a Full Access member, your Virtual Reality magazine is in the post and will arrive soon. Or head to thebjpshop.com to buy your copy. Get your copy via thebjpshop.com
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