Newsletter Subject

The Work Issue has officially launched!

From

1854.photography

Email Address

noreply@mail.1854.photography

Sent On

Wed, Sep 4, 2024 04:19 PM

Email Preheader Text

Photographing protest, labour rights and communities… ‌ ‌ ‌ ‌ ‌ ‌

Photographing protest, labour rights and communities… ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ Work Issue #7919 Our Work issue is here! It takes up most of our waking hours and yet it’s seldom depicted. This new edition of BJP explores the topic from multiple angles: How do photographers make a living? Which curators are preserving our 20th-century industrial history? And how does medical, agricultural and labour imagery operate in both professional and artistic spheres? [PURCHASE YOUR COPY]( Among the latest projects, we meet the treehouse residents of Daniel Chatard’s images of those living in the makeshift treetop dwellings, working to save nearby homes and forests. Before heading to the West Bank to meet the stranded Palestinians from Gaza who are blocked from earning a wage. And we traipse Via Quarti, a street in Milan home to working class families from Southern Italy, North Africa and Eastern Europe in Chiara Calgaro’s series. We hear from artists such as Kadir van Lohuizen and Christina Fernandez among our other in-depth artist features, and we learn about maintaining archives of work from the Martin Parr Foundation’s Isaac Blease, Fondazione MAST’s Urs Stahel, and Luciano Zuccaccia, whose Protest in Photobook library exceeds 700 anti-establishment volumes. On our bookshelf, we flick through The Last Safe Abortion by Carmen Winant and we look at selfies taken during the 1860s in Cartomania by Paul Frecker. We sit down with Marseille-based publishers Loose Joints, learning where they took their name and how they go about publishing photo books by today’s most cutting-edge artists. And we hear from Zula Rabikowska on why she’s deconstructing stereotypes around the ‘Eastern European’ identity by examining several photographers from her native region. As ever, our writers preview this season’s most important institutional shows, including Tate Britain’s huge survey of ‘80s photography in Britain, while we also count down to Paris Photo and spend a lazy afternoon with Jenny Matthews in east London. Our cover is an iconic shot by John Sturrock from our feature on photographing the Miners’ Strike of the ‘80s. Depicting a mass picket confronting police lines in Bilston Glen, Scotland, in 1984, Sturrock tells BJP, “I was just very lucky to be in the middle and to get that shot,” highlighting one of several approaches to capturing the key event in British industrial history.⁠ Brenda Prince was one of the photographers on the ground, and her pictures of women’s action groups involved with the strikes appear in BJP’s forthcoming Work magazine. Protest and social history are big themes of this issue, in which we dive into the London School of Economics’ research visualising wealth inequality and trace anti-establishment photo books from across the globe. All this alongside our usual emerging artist Projects, Studio Visit and Any Answers features. If you’re a BJP Print & Digital subscriber or a Full Access member, your Virtual Reality magazine is in the post and will arrive soon. Or head to thebjpshop.com to buy your copy. Get your copy via thebjpshop.com Limited stock available. [PURCHASE YOUR COPY]( [Facebook]( [Twitter]( [Instagram]( [1854 Media Ltd, 244-254 Cambridge Heath Rd, Cambridge Heath, London, E2 9DA, United Kingdom Click here to update your email preferences]( [Click here to unsubscribe from all emails](

Marketing emails from 1854.photography

View More
Sent On

10/11/2024

Sent On

20/10/2024

Sent On

13/10/2024

Sent On

06/10/2024

Sent On

29/09/2024

Sent On

22/09/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.