Newsletter Subject

Your Sunday Inspiration ✨

From

1854.photography

Email Address

noreply@mail.1854.photography

Sent On

Sun, Aug 25, 2024 10:17 AM

Email Preheader Text

Beyond Print, Farah Al Qasimi, Slim Aarons ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ?

Beyond Print, Farah Al Qasimi, Slim Aarons ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ © Francis Alÿs, Children’s Game #38, 'Ellsakat', Azilal, Morocco, 2023 It was a week of apprehension for young students around the country as they received their GCSE results on Thursday, ahead of another school year right around the corner. In keeping, BJP turned back the clock to the playgrounds of our childhoods and headed to the Barbican for [Ricochets]( Francis Alÿs’s latest exhibition. The Belgian lens-based artist displays 28 site-specific ‘still’ lifes, each around five minutes long, documenting traditional children’s games from around the world spanning Nepal, Mexico, Hong Kong, Belgium, the UK, Afghanistan and many more. Each display, taken from his ongoing series Children’s Games, opens with an establishing shot – in Iraq, a bleating sheep and the rolling hills tell us we are on farmland, before a boy suddenly runs into the frame and jumps over the sheep, introducing ‘Leapfrog’. Children are masters of play. In complete physicality, the children of Alÿs’s animated vignettes don’t carry an inch of self consciousness. Their faces are screwed in ‘Chapitas’, in ‘Jump Rope’ their gap-toothed smiles are stretched ear-to-ear, their bodies hit and flail against each other as they run themselves entirely out of breath in ‘Kluddermor’, and beyond the point of exhaustion and into euphoria in ‘Kujunkuluka’. It’s a kind of ecstasy we all remember fondly as children; grazing our knees on hard tarmac and still rolling snowballs even when our fingers were raw, red and numb. Children even have the ability to make fun of war; in ‘Parol’, shot last year in Ukraine, adolescent boys imitate soldiers in a mimesis of violence but mired instead in innocence. In a longer video, ‘Haram Football’, a dozen Iraqi boys play the beautiful game in a sun-lit street in the recently liberated Mosul, crumbling buildings in the background. But since football was banned under ISIS, the boys lob an imaginary ball onto their makeshift pitch, each of them participating in the theatrical display to equally convincing degrees. One runs and tackles the imagined ball, skidding across the ground and kicking up a cloud of dust. Others jump in unison to header it. It is at once a remarkably humorous yet devastating testament to ‘children’s creative resilience in conflict zones’. Ricochets is a reminder and invitation to play everywhere, no matter the season or the environment. Even a crack in the pavement is a game, as ‘Step on a Crack’ shot in Hong Kong depicts. The exhibition continues in the upstairs galleries with paintings of games throughout the ages, and explanations of the oldest recorded games from Mesopotamia, China and India. In London, three local schools have participated in new films connecting the immediate Barbican community with the global tapestry of experiences in the Children’s Games. Elsewhere in London, The Photographers’ Gallery hosts the first iteration of [Frames of Annexation]( on 29 August. The photobook is a compilation of stills chosen collaboratively by an audience who bore witness to the Jordan Valley Activists’ video archive at [Peckham 24]( earlier this year. It shows eight years of documentation of settler violence and solidarity activism in the northern Jordan Valley, Palestine. Both the photobook and the video archive will be on display during the evening. ‘Framing is an extension of the artist’s work’: inside Beyond Print, the UK’s leading fine art framers Beyond Print co-founder Faraz Ahmad talks to Louise Long about the nitty-gritty of the framing process and the latest trends among photographers [Read more]( [Build the way you want]( Slim Aarons comes to Brighton to mark the last days of summer Welcome to the World of Slim Aarons displays some of the artist’s most iconic images documenting the life of his glittering subjects [Read more]( [Build the way you want]( Farah Al Qasimi captures the visual culture of gaming and artificial realities in the UAE The photographer grew up gaming in Abu Dhabi and has drawn on her experiences of virtual worlds and multiple cultures to create her surreal images [Read more]( [Build the way you want]( Bluecoat Press is celebrating the summer bank holiday with a special offer Until midnight on Monday 26 August, when you buy one book, you’ll get 50% off the second. Whether you’re adding to your collection or looking for the perfect gift, now’s the time to grab a great deal. This offer is available across their entire range (including print editions) – just add two books to your basket and the discount will be automatically applied at checkout. Don’t wait around! The sale only lasts for three days, so make the most of it while you can. [Learn more]( [Facebook]( [Twitter]( [Instagram]( [1854 Media Ltd, 244-254 Cambridge Heath Rd, Cambridge Heath, London, E2 9DA, United Kingdom Click here to update your email preferences]( [Click here to unsubscribe from all emails](

Marketing emails from 1854.photography

View More
Sent On

10/11/2024

Sent On

20/10/2024

Sent On

13/10/2024

Sent On

06/10/2024

Sent On

29/09/2024

Sent On

22/09/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.