Newsletter Subject

Your Sunday Inspiration ✨

From

1854.photography

Email Address

noreply@mail.1854.photography

Sent On

Sun, Jul 14, 2024 10:18 AM

Email Preheader Text

Henri Kisielewski, Taysir Batniji, Arles Discovery Awards and more ‌ ‌ ‌ ‌ ?

Henri Kisielewski, Taysir Batniji, Arles Discovery Awards and more ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ Men's UEFA Euro 2020 © Chan Yang Kim When fan reaction videos seem to be the dominant form of visual content produced around major football tournaments, there’s something pleasing about the stillness of a photograph – a fixed moment without the eruptive messiness and emotional overload of a moving image. And compared to the polished long-lens photojournalism which takes place pitchside, photographs from the street (or the pub) retain that vernacular quality which defines the majority of peoples’ relationship with football. On a huge day for English football, we’ve enjoyed spending time with [these]( courtesy of Rob Stothard, and [these]( from the last men’s European Championships by Chan Yang Kim. Let’s see what makes the front pages tomorrow. Away from the match, we were sad to hear of the passing of Thomas Hoepker last week and were moved to revisit some of his most iconic images, from his timeless collaborations with Muhammad Ali to the infamous 9/11 photograph which, although controversial at the time, seems to grow in metaphorical strength with each passing year. The German documentarian crossed the US on assignment from Kristall to “take a look around” in 1963, cutting his teeth observing the country’s motif-rich landscapes caught between early-20th century idealism and the looming age of mass commerce. His access to the GDR was also unique, while his late-1950s pictures from Italy leant into the country’s irresistible romanticism. Hoepker possessed “a technically perfect mastery of photography – such as exposure, framing, composition – with an unerring sense of contemporary history”, Katharina Mouratidi, curator of last year’s Thomas Hoepker, Intimate History (f³ – freiraum für fotografie, Berlin), told Madeleine Pollard in [this BJP article from last year.]( Have a great week. Stranger than fiction: Henri Kisielewski on his French fantasies Zoning in on a small town in Normandy, ‘Non Fiction’ lends its characters a self-conscious ambiguity [Read more]( [Build the way you want]( © Colin Pantall ‘Writing for Photographers’ workshop – New dates added! Join us on 10 August or 19 October for introductory workshops led by industry experts Simon Bainbridge and Colin Pantall. These sessions are tailored for photographers keen to sharpen their writing skills: you’ll learn how to shape narratives about your work and introduce audiences to your exhibitions, books, portfolios and practice with clarity. [Learn more]( [Build the way you want]( A disquieting feeling pervades Arles’ Discovery Award Audrey Illouz’s subtle selection for the Arles Discovery Award highlights a prevalent unease among the artists this year [Read more]( [Build the way you want]( Taysir Batniji commemorates pre-war Gaza via ‘poor images’ For two years, Batniji took screenshots of the glitchy video calls he made to his family back in Gaza, now compiled into a book [Read more]( Portrait of Humanity Vol. 6 The Cost of Failed Liberation, David Davis [Build the way you want]( © Davis Davis, Portrait of Humanity Vol. 6 single image winner During the civil war in Sri Lanka (1983-2009), an estimated 80,000 to 100,000 people, predominantly from the Tamil community, disappeared, many at the hands of the Sri Lankan government (source: Amnesty International). These tensions were exacerbated by colonial legacies and post-independence policies that were perceived to favour the Sinhalese. The conflict saw severe human rights abuses from both sides, including extrajudicial killings and abductions. Pictured here is one of the mothers who lost her 14-year-old son; he left for school and never returned, an all too common story. The image, titled ‘The Cost of Failed Liberation’ by [David Davis]( is among the 30 winning single images of BJP’s Portrait of Humanity Vol. 6 and will be exhibited alongside the three winning series at [Four Corners]( London, from 04 to 15 September. More info coming soon. The 200 shortlisted photos are featured in the dedicated Portrait of Humanity photobook published by Bluecoat Press, which is now [available for pre-order](. [Facebook]( [Twitter]( [Instagram]( [1854 Media Ltd, 244-254 Cambridge Heath Rd, Cambridge Heath, London, E2 9DA, United Kingdom Click here to update your email preferences]( [Click here to unsubscribe from all emails](

Marketing emails from 1854.photography

View More
Sent On

10/11/2024

Sent On

20/10/2024

Sent On

13/10/2024

Sent On

06/10/2024

Sent On

29/09/2024

Sent On

22/09/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.